Emaho Magazine | Photography, Arts&Culture, Interviews, News

NEW interview

JH Engström: “I’m Far From Done Yet” – On Photography, Instinct and the Freedom of Not Knowing

JH Engström’s photography emerges from the tension between places, memories, energies, and uncertainty. Moving between rural Värmland and Paris, he has built a deeply personal practice that embraces accident, vulnerability, and mystery. Now exploring painting, film, and writing, Engström remains committed to staying close to what he does not understand.

Showing Slide 1 of 2

Photography

JH Engström: “I’m Far From Done Yet” – On Photography, Instinct and the Freedom of Not Knowing

JH Engström’s photography emerges from the tension between places, memories, energies, and uncertainty. Moving between rural Värmland and Paris, he ...

Showing Slide 1 of 2

Latest

Art & Culture

César Levy of 193 Gallery: Building a Gallery Beyond the Map of the Global South

Showing Slide 1 of 2

Design

Manuela Wyszynski: Building Manushi and the Art of Curating Timeless Objects

Showing Slide 1 of 2

Photography

Ed Kashi: Four Decades of Witnessing Humanity Through Photography

Showing Slide 1 of 2

Showing Slide 1 of 6

INTERVIEWS

Most Popular

Design

Letícia Zamboni: “To Create Something Truly Unique, You First Need to Understand What Makes That Person Unique” – The Brazilian Architect on Eccentricity, Futurism and Creative Identity

Photography

Emin Ozmen: Documenting Turkey’s Unfinished History Through Photography

Photography

Anna Planas: Shaping the future of Photography at Paris Photo – the World’s Most Important Photography Fair

Design

Padideh Azin: Preserving the Spirit of Iranian Architecture

Showing Slide 1 of 5

News

Edward Middleditch: The Pencil of Nature

Call For Applications: 7th Edition of the Carmignac Photojournalism Award

Support Anastasia Taylor-Lind’s “Welcome to Donetsk” – Postcards from the war front

Showing Slide 1 of 4

The history of Japanese photography is quite distinct from what we usually think of it, particularly post-war photography, because so much work was in black & white.I think Japan is something that we underestimated for many reasons, some of them cultural, some of them to do with language, but I think it’s important to fully understand the significance of Japanese photography.

I don't see myself as photographer. I am just seeing myself as someone who has skills and is using photography. When it comes to the actual idea of being a photographer and a physical image, I would say my images are not good images, they are not good pictures. They are not amazing photographs in that sense. I would say, I am more of a sculptor now.

I have a responsibility to reflect the breadth of photography that’s happening in the world today, as also to reposition some historical figures who I feel are important for the younger generation to know and appreciate and understand.

Last Interview

Thana Faroq: “A Photograph Is Never Innocent” – On Migration, Memory and What Images Cannot Hold

Photography

In this interview, photographer Thana Faroq discusses her Yemeni roots, unconventional academic path blending politics with photography, and acclaimed book 'I Don't Recognize Me in the Shadows'. She reflects on exile, identity, and long-term relationships with subjects in asylum centers, her use of text as image, mentorship of women photographers, and her debut film 'Imagine Me Like a Country of Love'.

Showing Slide 1 of 2

Thana Faroq: “A Photograph Is Never Innocent” – On Migration, Memory and What Images Cannot Hold

Photography

In this interview, photographer Thana Faroq discusses her Yemeni roots, unconventional academic path blending politics with photography, and acclaimed book ...

Showing Slide 1 of 2