NEW interview
Paulina Cerda: Slowness, Fragments, and Chile’s Quiet Material Pause
In this Emaho Magazine interview, Chilean artist Paulina Cerda channels geographic isolation into slow, material processes where fragments and erosion embody unresolved tensions. Rejecting landscape representation, her restrained works sustain fragile pauses—inviting ambiguity, memory, and listening amid Latin America's conceptually quiet contemporary practices.
Paulina Cerda: Slowness, Fragments, and Chile’s Quiet Material Pause
In this Emaho Magazine interview, Chilean artist Paulina Cerda channels geographic isolation into slow, material processes where fragments and erosion ...
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Karen Paulina Biswell: “Against Extraction: Photography, Right to Opacity, and the Refusal to Translate”
In this Emaho Magazine interview, Colombian-French photographer Karen Paulina Biswell reflects on 14 years collaborating with Emberá-Chamí artist Maria Amilbia Siagama. Rejecting extractive gazes, she explores shared authorship, photographic negatives in "Adua," Glissant's opacity, and decolonial rituals—questioning identity, legibility, and trust across Paris and Bogotá.
Karen Paulina Biswell: “Against Extraction: Photography, Right to Opacity, and the Refusal to Translate”
In this Emaho Magazine interview, Colombian-French photographer Karen Paulina Biswell reflects on 14 years collaborating with Emberá-Chamí artist Maria Amilbia ...







