Ghazal Marvi paints Tehran through youthful energy, imagination, and an instinct for joy. Her figures inhabit a world where surreal gestures meet everyday reality, while friendship, memory, freedom, and boredom shape the atmosphere. Across Homa exhibitions, Marvi has developed a distinctive visual language that treats painting as celebration and resistance.
This interview traces Holly Terry’s path from studying politics to full-time abstract painting after burnout. She discusses her two Sunshine Coast studios, slogans and motifs in her work, formative years with fellow artists, rapid early exhibitions, growing international shows, her yoga-rooted interest in contentment, and her Substack writing practice.
In this interview, Fanny Robin traces her curatorial path from a formative visit to the Fondation Maeght through art historical and business training, her fifteen years directing Fondation Bullukian, founding Campagne Première, and her BMW ART MAKERS
This interview traces Tara Aghdashloo’s journey from a creative Tehran upbringing through journalism, curation, poetry, and painting into filmmaking. She discusses mentors Makhmalbaf and Naderi, her shorts The Ride, Bridge, and Empty Your Pockets, themes of systemic entrapment.
César Levy discusses leaving a decade in strategic consulting to found 193 Gallery, explaining how economic intelligence training shapes his business approach while artistic decisions remain guided by a mission to decentralize the art world’s Eurocentric narrative and champion underrepresented voices from Africa, Latin America, the Caribbean, and Southeast Asia.
In this Emaho interview, Constantin Prozorov discusses his surreal collage practice, where fashion, memory, and visual storytelling merge into dreamlike luxury worlds. Based in Paris, the German digital artist creates layered narratives that bridge art, culture, and fantasy, transforming collage into a contemporary language of imagination and refinement.
