“Authenticity begins with the material itself. For Andrea Bonini, marble and steel are not simply construction elements but the emotional foundation of every project. In this conversation with Emaho, the Italian designer reflects on craftsmanship, timeless luxury, and why true design is shaped by materials, culture, and enduring quality.”
In this interview with Emaho Magazine, Roham Babaei Fard explores the intersection of architecture, nature, and jewelry design. Inspired by historical artifacts, antique adornments, and the intricate forms of flowers, birds, and insects, he shares how memory, craftsmanship, and material experimentation inform his contemporary practice and distinctive visual language.
In this interview with Emaho Magazine, industrial designer Alberto Esses reflects on his journey from Tesla and Mytra Robotics to co-founding Essesi, sharing his philosophy on innovation, collectible design, AI, craftsmanship and creative freedom. He discusses why curiosity, risk-taking and thinking beyond categories remain central to meaningful design.
Iranian architect and designer Padideh Azin works at the intersection of heritage, restoration, and contemporary living. In this Emaho conversation, the co-founder of Ravagh reflects on preserving the spirit of historic Iranian spaces, balancing past and present, and why architecture in Iran must reconnect with its own cultural identity and memory.
Moroccan designer Hind Magoul brings traditional zellige craftsmanship into contemporary interiors with a refined sense of modern elegance. In this Emaho interview, she discusses how hand‑cut Moroccan tiles, heritage techniques, and local artistry shape her global design language, merging cultural memory with clean, luxurious spaces.
New York-based Belgian-Congolese designer, interior architect, and Parsons School of Design educator Kim Mupangilaï works in the space where memory, identity, and material culture converge. Winner of the 2024 Boghossian Foundation International Prize, she reflects in this Emaho conversation on heritage, belonging, collectible design, and how Congolese influences and Belgian Art Nouveau shape her deeply personal design language rooted in cultural dialogue.
