Belgian fashion designer and former Dior Homme and Berluti creative director Kris Van Assche reflects on reinvention, creative freedom, and life beyond luxury fashion. In this exclusive *Emaho* interview, he discusses identity, craftsmanship, design, and what two decades at fashion’s highest level ultimately taught him.
In this interview with *Emaho*, Elnaz Taghaddos reflects on architecture as an emotional language, tracing her journey from curation to founding ET’STUDIO. She discusses spatial storytelling, materiality, and the quiet power of design in shaping how people feel, connect, and experience space.
In this Emaho interview, French designer Sophia Taillet discusses how she reimagines the poetics of material within contemporary design, moving fluidly between art, choreography, and object‑making. Trained in Paris and New York, she explores motion, gesture, and light through glass, metal, and sculptural forms, turning material intuition into a poetic language of movement and matter.
Holly Lucas is a cross‑disciplinary curator and creative strategist who bridges hospitality, cultural programming, and post‑disciplinary design through Bureau of Innovation (BOI). In this Emaho interview, she reflects on how BOI shapes immersive contexts for collectible furniture and objects, redefining curation as the art of experience in a world where design, art, and commerce increasingly overlap.
Parisian designer Pauline Leprince reimagines Karl Lagerfeld’s legacy through Bauhaus-infused steel, light, and emotional geometry in her Emaho interview. From École Camondo training to cinematic scenographies, she fuses avant-garde minimalism with sustainable poetry – crafting intimate, luminous sanctuaries that breathe.
Dive into Boldizar Senteski’s Emaho Magazine interview, “Post-Soviet Tension in Glass, Patina, and the Art of Reduction.” The Budapest-raised designer explores opulence-industrial clashes via distressed mirrors, glass, and metals – embracing oxidation, un-calculated errors, and durational craft for timeless functional art.
