Mathieu Asselin: Monsanto – A Photographic Investigation

Mathieu Asselin is a French-Venezuelan photographer artist specializing in documentary photography and portraiture related to social issues. He is based in New York City.He began his career working on film productions in Caracas, Venezuela, but shaped his photography practice in the United States.

USA – 

My photographic project investigates key milestones in Monsanto’s 100 years history by documenting communities whose lives were dramatically affected by unscrupulous policies of this corporation. During the last two years I’ve extensively travelled around the United States. I went to Alabama, West Virginia and Missouri to document communities located in the areas contaminated by Monsanto. Residents there have a very high level of cancer. In Pennsylvania and Ohio, I photographed children of U.S. Vietnam War veterans whose health was impacted through their parent’s exposure to Agent Orange. I met with families of farmers in Maine and Indiana: their businesses were endangered by Monsanto’s patent infringement laws on GMO seeds. The project combines environmental portraits, landscapes and archival materials.

 

Mathieu_Asselin_Monsanto_0006Monsanto’s Herbicide Handbook – To help customers to select herbicides for a particular crop, Monsanto produced a reference manual in 1971. The success of the herbicide Lasso had turned Monsanto’s struggling Agriculture Division around, and by the time Agent Orange was banned in the US and Lasso was facing increasing criticism, Monsanto had developed the weedkiller “Roundup”as a replacement. Launched in 1976, Roundup helped to make Monsanto the world’s largest producer of herbicides. 

 

My interest in Monsanto started five years ago through the conversations I had with my father. I began a meticulous investigation, researching archival materials, collecting Monsanto’s memorabilia and establishing contacts with various organizations working in related areas. This project is a window into the past and the present to better understand the future of this multinational. I want to expose Monsanto’s irresponsible and harmful activities. Many of them are barely known to the public. My intention is to raise public awareness in a moment when we are deciding the future of how and who will have control over food. And how we as consumers are going to relate to it.

 

Written and Photography feature by Mathieu  Asselin

Related Posts

Sputnik Photos Lost Territories

Lost Territories: Support Sputnik Photos project on Post-Soviet Countries of Central Asia

Poland –  Twenty-five years after the fall of the USSR five Sputnik Photos photographers are setting out on a journey ...

Bernard Faucon: Chambers of Gold, 1987-1989

France – In 1987, I went to Japan for the second time. I came back dizzy with the gold and ...

Ayako Mogi: Travelling Tree

Japan – “Travelling Tree” collects photos taken by Photography feature – Ayako Mogi during her peregrinations throughout Europe and Japan ...

Katrien de Blauwer: “I do not want to disappear Silently into the Night

Belgium –  Through Photography feature – Katrien de Blauwer‘s collages and their short circuit effect in our ways of seeing, the book intends to explore ...

Maika Elan Pink Choice

Maika Elan: “Pink Choice” – Life inside Vietnam’s Gay Community

Vietnam –  Homosexuality is no longer considered a big taboo in today’s world: people have heard a lot of it, ...

Momo Okabe: “I truly wanted to destroy everything I had”

Japan –   Momo Okabe’s photographs depict the bare situation. Be it the sexual act, a wasteland, or the wake of ...

Genre Straddler – Christopher Morris

‘Young Chechen, Orphan boy on Ulikemia street (Street of Peace) in downtown Grozny, 1996’ U.S.A. – Christopher Morris is an ...

Vitaly Flomenko Riotbooks

Vitaly Fomenko: Revisionist Soviet Rules of the Road

Russia –   “In the Fall of 2014 the world witnessed with confusion, how, headed by the ambitious adventurer Putin, ...

Pierfrancesco Celada: Hitoride (Literally: By yourself, Alone)

Japan – During a brief visit to Japan in 2009 I was soon fascinated by the isolation and loneliness I ...

Showing Slide 1 of 10