David Favrod: GAIJIN
Japan – GAIJIN – Japanese word meaning the foreigner. My name is David Takashi Favrod. I was born on the 2nd of July 1982 in Kobe, of a Japanese mother
Japan – GAIJIN – Japanese word meaning the foreigner. My name is David Takashi Favrod. I was born on the 2nd of July 1982 in Kobe, of a Japanese mother
Palestine – Occupied Pleasures, from Gaza and across the Occupied Territories, was taken just last summer. It explored how the people I encountered utilized a love for life, perseverance,
India – THIS STORY CONTAINS EXPLICIT CONTENT Dick 999 published by RVB Books is a collection of anonymous photographs which Photography feature – Tiane Doan na Champassak found posted on
Spain – Photography will never be able to run away from the memory’s territory and its stigma This is an agreement assumed along with the acknowledgment that every photography contains
Venezuela – Wonderland The Delta of Amacuro in eastern Venezuela is one of the most inhospitable places in the world. For the last 8500 years ago the Warao indians have
Netherlands – In modern society we often forget that ‘the physical’ is also a source of information. Because of rationalization, we turned away from our primoridial world, convinced that our
Germany – During the Spanish war with Napoleonic France, Francisco Goya made The Disasters of War. In three series of prints he detailed the horrors of the battlefield, the slow
Netherlands – In April 2013 Jeroen Toirkens and Petra Sjouwerman travelled by car, boat, bus and snowmobile across the Barents region, the last remaining wilderness in Europe. They partly followed
USA – THIS STORY CONTAINS EXPLICIT CONTENT Renee Jacobs (American, born 1962, Philadelphia, PA, resides in Los Angeles, CA) recent photobook titled Renee Jacobs’ Paris is situated within the French
Belgium – What do you do if you love somebody but your love is forbidden by your parents, by your uncles, by your priest, by your community? What do you
Egypt – During the Egyptian january 2011 revolution, women were at the frontline equally with their male angry fellows. The players of this historical moment make mention of a period
Japan – In Narahashi’s previous photobook, ‘Half Awake and Half Asleep in the Water’, (published in 2007 by Nazraeli Press, Portland), Martin Parr described how “water” and “land” have