Emma Phillips: SALT

Young Melbourne photographer Emma Phillips’ new body of landscape images is so striking in its minimalist visage that it almost borders on abstraction. Shot amid the dramatic manmade undulations of a salt mine, SALT hints at many of the tropes of the landscape and picturesque tradition, only for the subject itself – the huge, white mounds of glistening salt – to cause a slippage. It’s a familiar form, but an alien landscape. Phillips also traces fragments of industrial and domestic infrastructure within this strange environment. The arc of a conveyor belt juts obliquely from towering apex of salt; a caravan, itself blasted white, sits oxidising in the midst of a vast, sun-beaten, white plane; an orange digger chugs across an otherwise colourless frame. Phillips has used salt as an allegory – reduced and economised – for the Australian interior.

Australia –

Young Melbourne photographer Emma Phillips’ new body of landscape images is so striking in its minimalist visage that it almost borders on abstraction. Shot amid the dramatic manmade undulations of a salt mine, SALT hints at many of the tropes of the landscape and picturesque tradition, only for the subject itself – the huge, white mounds of glistening salt – to cause a slippage. It’s a familiar form, but an alien landscape. Phillips also traces fragments of industrial and domestic infrastructure within this strange environment. The arc of a conveyor belt juts obliquely from towering apex of salt; a caravan, itself blasted white, sits oxidising in the midst of a vast, sun-beaten, white plane; an orange digger chugs across an otherwise colourless frame. Phillips has used salt as an allegory – reduced and economised – for the Australian interior..

 

Written by Dan Rule

 

HC131212A_SaltBook_5

 

“Emma was one of the photobook-making workshop participants at the OBSCURA Photo Festival in Malaysia. By that time she had already produced a pretty large dummy photobook, which was beautifully done but only a single copy was made. To accompany her solo exhibition in Australia in November – this time she made 500 copies of the book. The best part is that we can now own this beautiful work in a book format.” – Yumi Goto on Emma Phillips’ book SALT.

Photography

 

Related Posts

Douglas Stockdale on Laura Braun “Metier-Small Businesses in London”

England –  The recent book published by Laura Braun, Metier, investigates the Small Business in London, a region where Braun ...

Tiane Doan na Champassak: Dick 999

India –    THIS STORY CONTAINS EXPLICIT CONTENT Dick 999 published by RVB Books is a collection of anonymous photographs ...

Rafal Milach: The Winners

Belarus –  ‘The Winners’ published by GOST, is dedicated to winners of various state and local competitions held between 2010-2013 ...

Pierfrancesco Celada: Hitoride (Literally: By yourself, Alone)

Japan – During a brief visit to Japan in 2009 I was soon fascinated by the isolation and loneliness I ...

Emin Ozmen: Documenting Turkey’s Unfinished History Through Photography

From the trauma of the 1993 Sivas massacre to documenting wars, displacement and political upheaval across Turkey and the Middle ...

Reza Deghati: “Photography Is the Biggest Revolution Ever – A Universal Language of Truth and Hope”

Iranian-French photojournalist Reza Deghati shares his journey from a Tabriz childhood witnessing injustice to 46 years documenting revolutions, wars, and ...

Michelle Frankfurter Destino

Douglas Stockdale on Michelle Frankfurter “Destino”

USA –  This is my first review of the photobook series published by FotoEvidence, a non-profit organization that focuses on ...

Tatiana Tcherkezyan: Deep Inside

Russia – THIS STORY CONTAINS EXPLICIT CONTENT For more than 4 years I have been collecting the material for this ...

Joan Fontcuberta: The Photography of Nature / The Nature of Photography

Catalan photographer Joan Fontcuberta is the 33rd recipient of the prestigious HasselbladFoundation International Award in Photography. To celebrate the award ...

Showing Slide 1 of 10