Emma Phillips: SALT

Young Melbourne photographer Emma Phillips’ new body of landscape images is so striking in its minimalist visage that it almost borders on abstraction. Shot amid the dramatic manmade undulations of a salt mine, SALT hints at many of the tropes of the landscape and picturesque tradition, only for the subject itself – the huge, white mounds of glistening salt – to cause a slippage. It’s a familiar form, but an alien landscape. Phillips also traces fragments of industrial and domestic infrastructure within this strange environment. The arc of a conveyor belt juts obliquely from towering apex of salt; a caravan, itself blasted white, sits oxidising in the midst of a vast, sun-beaten, white plane; an orange digger chugs across an otherwise colourless frame. Phillips has used salt as an allegory – reduced and economised – for the Australian interior.

Australia –

Young Melbourne photographer Emma Phillips’ new body of landscape images is so striking in its minimalist visage that it almost borders on abstraction. Shot amid the dramatic manmade undulations of a salt mine, SALT hints at many of the tropes of the landscape and picturesque tradition, only for the subject itself – the huge, white mounds of glistening salt – to cause a slippage. It’s a familiar form, but an alien landscape. Phillips also traces fragments of industrial and domestic infrastructure within this strange environment. The arc of a conveyor belt juts obliquely from towering apex of salt; a caravan, itself blasted white, sits oxidising in the midst of a vast, sun-beaten, white plane; an orange digger chugs across an otherwise colourless frame. Phillips has used salt as an allegory – reduced and economised – for the Australian interior..

 

Written by Dan Rule

 

HC131212A_SaltBook_5

 

“Emma was one of the photobook-making workshop participants at the OBSCURA Photo Festival in Malaysia. By that time she had already produced a pretty large dummy photobook, which was beautifully done but only a single copy was made. To accompany her solo exhibition in Australia in November – this time she made 500 copies of the book. The best part is that we can now own this beautiful work in a book format.” – Yumi Goto on Emma Phillips’ book SALT.

Photography

 

Related Posts

Helmut Smits: “The sculpture already exists within the marble; Michelangelo’s task was merely to chisel away the excess. I think the same is true for almost everything in life.”

From a childhood of crafting without museums to distilling Coca-Cola into pure water in "The Real Thing," Rotterdam artist Helmut ...

Helio Leon Purple Room

Helio Leon: “The Purple Room” – Reliving Istanbul Memories

Turkey –                               THIS STORY CONTAINS ...

Daisuke Yokata: Site/Cloud

Japan – I see a photo. I took it. Although many decades have not passed since the shoot, I cannot ...

Tine Guns: Amoureux Solitaire

Belgium –  Two actors perform one of the most iconographic acts in film history: the kiss. ‘Amoureux Solitaire’ is an ...

Colin Pantall on Thomas Sauvin’s Quanshen

China –                                     ...

The 2014 Paris Photo–Aperture Foundation PhotoBook Awards Announced

New York –  Todd Hido, photographer and photobook maker greeted an eager crowd at the New York Art Book Fair ...

Douglas Stockdale: Pine Lake

USA – Pine Lake is a fictional story about a multi-generational American rite of summer. It is a visual narrative that investigates ...

Black Gold Hotel – Michele Palazzi

Mongolia – The Chartered Institution of Water and Environmental Management awarded Italian photographer Michele Palazzi, the Environmental Photographer of the Year Award, ...

“Thierry Bal: a photographic practice in contemporary art.”

United Kingdom – I’m part of a small group of uninvited guests on an abandoned ship off the coast of ...

Showing Slide 1 of 10