Emma Phillips: SALT

Young Melbourne photographer Emma Phillips’ new body of landscape images is so striking in its minimalist visage that it almost borders on abstraction. Shot amid the dramatic manmade undulations of a salt mine, SALT hints at many of the tropes of the landscape and picturesque tradition, only for the subject itself – the huge, white mounds of glistening salt – to cause a slippage. It’s a familiar form, but an alien landscape. Phillips also traces fragments of industrial and domestic infrastructure within this strange environment. The arc of a conveyor belt juts obliquely from towering apex of salt; a caravan, itself blasted white, sits oxidising in the midst of a vast, sun-beaten, white plane; an orange digger chugs across an otherwise colourless frame. Phillips has used salt as an allegory – reduced and economised – for the Australian interior.

Australia –

Young Melbourne photographer Emma Phillips’ new body of landscape images is so striking in its minimalist visage that it almost borders on abstraction. Shot amid the dramatic manmade undulations of a salt mine, SALT hints at many of the tropes of the landscape and picturesque tradition, only for the subject itself – the huge, white mounds of glistening salt – to cause a slippage. It’s a familiar form, but an alien landscape. Phillips also traces fragments of industrial and domestic infrastructure within this strange environment. The arc of a conveyor belt juts obliquely from towering apex of salt; a caravan, itself blasted white, sits oxidising in the midst of a vast, sun-beaten, white plane; an orange digger chugs across an otherwise colourless frame. Phillips has used salt as an allegory – reduced and economised – for the Australian interior..

 

Written by Dan Rule

 

HC131212A_SaltBook_5

 

“Emma was one of the photobook-making workshop participants at the OBSCURA Photo Festival in Malaysia. By that time she had already produced a pretty large dummy photobook, which was beautifully done but only a single copy was made. To accompany her solo exhibition in Australia in November – this time she made 500 copies of the book. The best part is that we can now own this beautiful work in a book format.” – Yumi Goto on Emma Phillips’ book SALT.

Photography

 

Related Posts

Mathias Depardon: “Mapping Identity and Territory – From Transanatolia to the Rivers of Mesopotamia”

French photographer Mathias Depardon charts fragile identities and power in Transanatolia, Tigris-Euphrates basins, and sand extraction crises. From Kurdish borders ...

Wasma Mansour: ‘I would really like to widen the debate on Saudi women’

Saudi Arabia  – Wasma Mansour shoots intimate scenes and portraits in large format and elucidates the great in the mundane. ...

Olga Matveeva: “FEUD” – Winner of the Vienna PhotoBook Award

Russia –  (Crimea 12.2013- 03.2014) Photography feature – Olga Matveeva’s Feud is the fraternal war in which the opposition parties ...

Hossein Farmani: “Many French organisations think that they own photography”

U.S.A – Hossein Farmani lends himself to the very forefront of the arts community; his passions have led him to ...

Space Invader – Christian Caujolle

France – Emaho caught up with celebrated French curator and photographer Christian Caujolle to see the view from his rarefied ...

Takeshi Ishikawa: HIJRAS – The Third Gender of India

THIS STORY CONTAINS EXPLICIT CONTENT In Indian society, it is said that when a hermaphrodite baby is born in an ...

Awoiska van der Molen: “Sequester” – Photographic Meditation of Volcanic Landscape in Canary Islands

Netherlands – I stay in places, locations far from the outside world. Being in this world -and the long time ...

David van der Leeuw: “I like images that feel unstable, that hold tension, where what is visible is only part of the story”

Dutch photographer David van der Leeuw reflects on his love for unstable, tension-filled images where much is left unsaid. His ...

Spotlight on the Sexually Violent– Tim Matsui

U.S.A. – Multimedia journalist Tim Matsui calls himself a storyteller. And once you’ve taken a look at his work, you ...