Emma Phillips: SALT

Young Melbourne photographer Emma Phillips’ new body of landscape images is so striking in its minimalist visage that it almost borders on abstraction. Shot amid the dramatic manmade undulations of a salt mine, SALT hints at many of the tropes of the landscape and picturesque tradition, only for the subject itself – the huge, white mounds of glistening salt – to cause a slippage. It’s a familiar form, but an alien landscape. Phillips also traces fragments of industrial and domestic infrastructure within this strange environment. The arc of a conveyor belt juts obliquely from towering apex of salt; a caravan, itself blasted white, sits oxidising in the midst of a vast, sun-beaten, white plane; an orange digger chugs across an otherwise colourless frame. Phillips has used salt as an allegory – reduced and economised – for the Australian interior.

Australia –

Young Melbourne photographer Emma Phillips’ new body of landscape images is so striking in its minimalist visage that it almost borders on abstraction. Shot amid the dramatic manmade undulations of a salt mine, SALT hints at many of the tropes of the landscape and picturesque tradition, only for the subject itself – the huge, white mounds of glistening salt – to cause a slippage. It’s a familiar form, but an alien landscape. Phillips also traces fragments of industrial and domestic infrastructure within this strange environment. The arc of a conveyor belt juts obliquely from towering apex of salt; a caravan, itself blasted white, sits oxidising in the midst of a vast, sun-beaten, white plane; an orange digger chugs across an otherwise colourless frame. Phillips has used salt as an allegory – reduced and economised – for the Australian interior..

 

Written by Dan Rule

 

HC131212A_SaltBook_5

 

“Emma was one of the photobook-making workshop participants at the OBSCURA Photo Festival in Malaysia. By that time she had already produced a pretty large dummy photobook, which was beautifully done but only a single copy was made. To accompany her solo exhibition in Australia in November – this time she made 500 copies of the book. The best part is that we can now own this beautiful work in a book format.” – Yumi Goto on Emma Phillips’ book SALT.

Photography

 

Related Posts

Tanya Habjouqa: Occupied Pleasures of Palestine

Palestine –   Occupied Pleasures, from Gaza and across the Occupied Territories, was taken just last summer. It explored how ...

Erik van der Weijde: Home is where the Dog is

Holland –   Photography feature – Erik van der Weijde has produced more then 40 publications. Home is where the Dog is, his latest one, continues his ...

Federico Clavarino: Italia o Italia

Spain –   Italia o Italia is built over the ruins of an unresolved empire, a place in which monuments ...

Yang Seung-woo: The Korean Underworld – Sex, Drugs and Salvage

THIS STORY CONTAINS EXPLICIT CONTENT Korea- Yang Seung-woo is a Korean born photographer who currently resides in Tokyo, he has stimulating ...

Davide Monteleone: Spasibo

Chechnya –   “Chechnya has won, Russia has won”. Perhaps the losers are the many Chechens who chose to go into ...

Alejandro Castellote on Musuk Nolte and Leslie Searles’s PIRUW

Peru –                                     ...

Yoshinori Mizutani: Tokyo Parrots

Japan –   When I saw the hordes of parrots of several hundred birds, I was very scared, it was like, I ...

TiTo Mouraz: Open Space Office

Portugal – The series presented here was shot in Portugal over a 3-year period and represents a transformed landscape that portrays ...

Jost Franko: Shepherds

Slovenia –  The shepherd community that has existed for more than 500 years on Velika planina in Slovenia is a ...

Showing Slide 1 of 10