Cristina de Middel: ‘This Is What Hatred Did’ – The Nigerian Escapade

Cristina de Middel is a Spanish documentary photographer and artist living and working in Uruapan, Mexico. De Middel self-published The Afronauts in 2012, a photobook about the short-lived Zambian space program in Southern Africa. The book quickly sold out and the work was met with critical acclaim.

Nigeria – 

In the 1960s, a five-year-old Nigerian child’s village was attacked by soldiers. His mother had left him home alone and he had to run away, escaping the bombs and the fire. He saved his life entering the Bush, this magical territory where no humans are allowed and where all the Yoruba spirits live and fight. Our kid spent thirty years lost in the Bush trying to find his way back home amongst the spirits and the dead. He got married two times, became a king, a god, a slave, a cow, a jar, a horse, and a goat. He ate gold, silver and bronze, snakes and snails. He fought two wars and was sentenced to death half a dozen times… all that in just one hundred pages.

Amos Tutuola wrote My Life in the Bush of Ghosts in 1964 and then had to leave the country to escape the violent reactions to a book that would open in exile a new path for contemporary African narratives. The story is told by the five year old child in a very basic, direct, naive and repetitive style that only children master, but it manages to convey the magical and absurd reality that war and religion added to the Nigerian experience.

In her latest series This is What Hatred Did (the mysterious last sentence of the book), Middel aims to provide an illustrated contemporary version of this story, adapting the characters, space and the ambient to the actual situation of the country. The Bush is now the Lagosian neighborhood of Makoko, a floating slum with its own rules, commanded by kings and community leaders. It is a place where no logic seems to prevail and that is equally forbidden for those who do not belong. With the conviction that contemporary issues should be described in a way that includes the ancient traditions, perspectives, fears and hopes, this series documents the enhanced reality of one of the most iconic places in Nigeria, according to the always dramatic media.


Written & Photography by Cristina de Middel 

Related Posts

Biophilia – Marco Vernaschi

THIS STORY CONTAINS EXPLICIT CONTENT Argentina –  The term “Biophilia” literally means “love for life or living systems.” It was first ...

Colin Pantall on Paul Gaffney’s We Make the Path by Walking

Ireland – Paul Gaffney sent me his lovely book, We Make the Path by Walking. It’s a gorgeous book that creates a ...

“Thierry Bal: a photographic practice in contemporary art.”

United Kingdom – I’m part of a small group of uninvited guests on an abandoned ship off the coast of ...

Bernard Faucon: Chambers of Gold, 1987-1989

France – In 1987, I went to Japan for the second time. I came back dizzy with the gold and ...

Erik Kessels: “Photography is definitely not dead. Quite the opposite: the overwhelming abundance of images forces artists to think differently”

Erik Kessels, renowned Dutch artist and curator, discusses the dynamic evolution of photography in the digital age. He asserts that ...

Hossein Farmani: “Many French organisations think that they own photography”

U.S.A – Hossein Farmani lends himself to the very forefront of the arts community; his passions have led him to ...

Douglas Stockdale on Laia Abril “The Epilogue”

Laia Abril (b. 1986 Barcelona, Spain, currently resides in NYC and Barcelona) continues to develop narratives that probe identity issues ...

Rafal Milach: The Winners

Belarus –  ‘The Winners’ published by GOST, is dedicated to winners of various state and local competitions held between 2010-2013 ...

Olga Matveeva: “FEUD” – Winner of the Vienna PhotoBook Award

Russia –  (Crimea 12.2013- 03.2014) Photography feature – Olga Matveeva’s Feud is the fraternal war in which the opposition parties ...

Showing Slide 1 of 10