Cristina de Middel: ‘This Is What Hatred Did’ – The Nigerian Escapade

Cristina de Middel is a Spanish documentary photographer and artist living and working in Uruapan, Mexico. De Middel self-published The Afronauts in 2012, a photobook about the short-lived Zambian space program in Southern Africa. The book quickly sold out and the work was met with critical acclaim.

Nigeria – 

In the 1960s, a five-year-old Nigerian child’s village was attacked by soldiers. His mother had left him home alone and he had to run away, escaping the bombs and the fire. He saved his life entering the Bush, this magical territory where no humans are allowed and where all the Yoruba spirits live and fight. Our kid spent thirty years lost in the Bush trying to find his way back home amongst the spirits and the dead. He got married two times, became a king, a god, a slave, a cow, a jar, a horse, and a goat. He ate gold, silver and bronze, snakes and snails. He fought two wars and was sentenced to death half a dozen times… all that in just one hundred pages.

Amos Tutuola wrote My Life in the Bush of Ghosts in 1964 and then had to leave the country to escape the violent reactions to a book that would open in exile a new path for contemporary African narratives. The story is told by the five year old child in a very basic, direct, naive and repetitive style that only children master, but it manages to convey the magical and absurd reality that war and religion added to the Nigerian experience.

In her latest series This is What Hatred Did (the mysterious last sentence of the book), Middel aims to provide an illustrated contemporary version of this story, adapting the characters, space and the ambient to the actual situation of the country. The Bush is now the Lagosian neighborhood of Makoko, a floating slum with its own rules, commanded by kings and community leaders. It is a place where no logic seems to prevail and that is equally forbidden for those who do not belong. With the conviction that contemporary issues should be described in a way that includes the ancient traditions, perspectives, fears and hopes, this series documents the enhanced reality of one of the most iconic places in Nigeria, according to the always dramatic media.


Written & Photography by Cristina de Middel 

Related Posts

The Yellow River – Zhang Kechun

China – The Yellow River Surging Northward Rumblingly Saying that it is a song might have been a popular joke. ...

Biophilia – Marco Vernaschi

THIS STORY CONTAINS EXPLICIT CONTENT Argentina –  The term “Biophilia” literally means “love for life or living systems.” It was first ...

Goodbye My Chechnya – Diana Markosian

Russia – “Goodbye My Chechnya”  chronicles the lives of young Muslim girls in the aftermath of war.  This piece aims to ...

Michelle Frankfurter Destino

Douglas Stockdale on Michelle Frankfurter “Destino”

USA –  This is my first review of the photobook series published by FotoEvidence, a non-profit organization that focuses on ...

Douglas Stockdale on Douglas Ljungkvist’s Ocean Beach

USA –  Ocean Beach is a photographic project that Douglas Ljungkvist (b. 1965, Gothenburg, Sweden; currently resides in Brooklyn, NY) ...

Douglas Stockdale on W. Eugene Smith’s The Big Book

USA – W. Eugene Smith’s The Big Book is a very interesting and unusual three volume set that includes a ...

Zhe Chen: The Bearable & Bees

China – The Bearable (2007-2010) is Chen’s confessional photo-documentation of her self-harm history spanning half a decade. Bees (2010-2012) features a collection ...

Helmut Smits: “The sculpture already exists within the marble; Michelangelo’s task was merely to chisel away the excess. I think the same is true for almost everything in life.”

From a childhood of crafting without museums to distilling Coca-Cola into pure water in "The Real Thing," Rotterdam artist Helmut ...

Robin Hammond : Condemned

New Zealand – Condemned: Mental Health in African Countries in Crisis by Robin Hammond presents a profound body of work ...

Showing Slide 1 of 10