Diana Matar: “Evidence” – Photographing Six years of Political Disappearance

Diana Matar Using photography, testimony and archive, Diana Matar's in-depth bodies of work investigate themes of history, memory and state sponsored violence. Grounded in heavy research and often spending years on a project, Matar attempts to capture the invisible traces of human history and produces installations and books that query what role aesthetics might playin the depiction of power. A graduate of the Royal College of Art, Matar has received the Deutsche Bank Pyramid Award for Fine Art; the International Fund for Documentary Photography; a Ford Foundation Grant for artists making work on history and memory.

Libya – 

Years ago Photography feature –  Diana Matar‘s father-in-law, a Libyan opposition leader, was kidnapped by the Egyptian secret service and handed over to the Gaddafi regime; he has been missing ever since.

Published by Schilt, the first third of the book is a meditation on absence told through photographs and excerpts of letters written by the artist to her missing father-in-law, Jaballa. Slowly the book begins to change as it is made clear that Jaballa’s actions have implications for her own life and her family’s safety. As she travels through London, Libya, Italy and California, the images and diary entries take one on a journey through contemporary history. Crafted as an homage to one man, the book shows the cruel effects of dictatorship on intimate relationships and family life.

Fifteen of the photographs in Evidence will be exhibited at the Tate Modern in Conflict, Time, Photography 26th November 2014 – 15th March 2015. This exhibition will travel onto Museum Folkswang in Essen, and Staatliche Kunstsammlungen in Dresden during 2015.


Evidence-cover

Related Posts

Zun Lee: Father Figure – Exploring Alternate Notions of Black Fatherhood

USA –  Widely hailed as a landmark project, Photography feature – Zun Lee’s monograph is at once documentary photography and ...

Douglas Stockdale on Carolyn Drake “Wild Pigeon” – Exploring China’s Western Province

China –  ‘Wild Pigeon’ by Carolyn Drake incorporates an allegory story of the same name, Wild Pigeon, written by Nurmuhemmet Yasin ...

Ayako Mogi: Travelling Tree

Japan – “Travelling Tree” collects photos taken by Photography feature – Ayako Mogi during her peregrinations throughout Europe and Japan ...

Brian Driscoll : Political Prisoners of Egypt

Egypt –  As a result of the mass demonstrations that took place in the great cities of Egypt, many people ...

Holy Bible – Adam Broomberg and Oliver Chanarin

England –    “Right from the start, almost every appearance he made was catastrophic… Catastrophe is his means of operation, and ...

Mayumi Hosokura: KAZAN

Japan –        THIS STORY CONTAINS EXPLICIT CONTENT Photographer Mayumi Hosokura is known for her works which depict ...

Adam Lach: Stigma

Poland –  “STIGMA” tells the story of 60-person family of Romanian Romas living in the encampment in Wroclaw. This is ...

Natan Dvir: “Comin Soon” – New Yorkers and their Colossal Advertisements

USA –  ‘Coming Soon’ by Israeli photographer, Natan Dvir, is an exploration of our visual relationship with the branded city ...

Oumayma Ben Tanfous: “The Book Definitely Helped Heal Some Wounds” – On Photography, Culture and Finding Her Way Back to Tunisia

For Oumayma Ben Tanfous, photography became a way of returning to Tunisia, twenty years after leaving. Her debut photobook, Between ...

Justin Maxon: When the Spirit Moves

USA- “The Sun Village is a place where families shut themselves into their homes; where people sleep in their basement ...

Jannatul Mawa: “Close Distance” – Powerful Portraits of Bangladesh Maids and Their Women Employers

Bangladesh –  Historically, domestic servants worked (only) for food and lodging in better-off homes of predominantly rural eastern Bengal. The ...

Daisuke Yokota: “Corpus” – Fictitious Mix of Nudity and Reality

Japan –  Photography feature –  Daisuke Yokota was selected for the first OUTSET UNSEEN AWARD in 2013, and his first ...