In Karma, a project developed in Madrid between 2009 and 2013, Óscar Monzón focuses on the car as a means of transportation that is not entirely distinct from the person who inhabits it, for the vehicle is in itself a product of the wheel that endlessly spins inside us.
Applying a visual language that eliminates the illusion of depth and emphasises abstraction, Karma brings us up close to the paradoxical intimacy provided by the car within public space, reflecting its occupants’ attitudes. The sequence of images combine human skin with aggressively designed bodyworks; headlights in the night conjure the image of wild animals; close-up flashes confront the people portrayed.
Ultimately, this work reveals the social and aesthetic evolution of humankind, driven by our abiding desire to attain the perfection of a machine.
“Karma is a brilliantly crafted mess of pictures taken from different angles between 2009 and 20013, is a book by Spanish Photographer Oscar Monzon about the relationship between vehicles waiting on the traffic light at night and people inside it.” – Manik Katyal
RVB Books/Dalpine, 2013
Editorial coordination: Gonzalo Golpe
Design: Eloi Gimeno
Prepress: Víctor Garrido
21 x 29,7 cm