Massimo Berruti: LASHKARS

Massimo Berruti was born in Rome in 1979 and became interested in documentary photography for the first time in 2003, while he was at university. He left university in 2004 and took part in a collective project on the cultural and industrial crisis in Italy. This led to the book Made in Italy, published in 2006.

Pakistan –

Massimo Berruti’s long-term assignment in the Swat valley, in the provinces of Khyber Pakhtonkhawa, is keeping up with the daily life of the Lashkars. Lashkars are civilian militia historically comprised of tribal warriors, who place themselves in the front line against the Taliban threat. Defending their own people, with the support of the Pakistani army, they contribute to pacifying and ensuring the security of a zone prone to bomb attacks and insurgent infiltration.

Lying along the northern border of Pakistan, the Swat valley fell into Taliban hands In 2007, returning to Pakistani army control only in 2009. Massimo Berruti covered the successful army offensive against the fundamentalist insurgents.These territories close to the tribal zones are today in media spotlight, thanks to the discovery and death of Osama bin Laden there. At the epicentre of omnipresent world terrorism, these zones remain at the forefront of a conflict that extends widely beyond regional issues.

Massimo Berruti compiled this report in Pachtounistan from January to April of 2011.

 Pachtounistan is the strategic border area between Afghanistan and Pakistan; a unique locality this second edition took for its theme. Massimo Berruti wishes to highlight the Lashkars’ courage and humanity, so counter to Western preconceptions.

“It is very rare that one experiences so directly, before a photographic work, the feeling of what inspired it and of what from day to day was its purpose. It is especially so as this feeling is completely contrary to what we think – or believe – we know of war Photography” – Christian Caujolle in “Lashkars” Ed Actes Sud 2011


Massimo Berruti is a photographer based in Paris and Rome.

Related Posts

Black Gold Hotel – Michele Palazzi

Mongolia – The Chartered Institution of Water and Environmental Management awarded Italian photographer Michele Palazzi, the Environmental Photographer of the Year Award, ...

Emily Garthwaite: Photographing Iraq, Ritual, and Resilience

In this interview with *Emaho*, Emily Garthwaite reflects on years of photographing Iraq through a deeply human lens, documenting life ...

Mayumi Hosokura: KAZAN

Japan –        THIS STORY CONTAINS EXPLICIT CONTENT Photographer Mayumi Hosokura is known for her works which depict ...

Stockdale on Alejandro Cartagena “Carpoolers”

 Mexico –  “Carpooling” is an American term for an occasion when multiple individuals ride in the same vehicle to the ...

Michael Danner: Critical Mass

 Germany –  Photographer Photography feature – Michael Danner documents in his body of work Critical Mass the architecture, everyday routine, and ...

Ismail Zaidy: A Rooftop Photographer from Morocco

Ismail Zaidy is a self‑taught Moroccan photographer who turned the rooftop of his family home in Marrakech into Studio Sa3ada, ...

Exploding the Mundane – Ami Vitale

U.S.A. – Two-time World Press Award winning photojournalist and Nikon Ambassador Ami Vitale found herself among the jury of the ...

Life after the Iron Curtain – Jutta Benzenberg

Albania – Albanian documentary photographer Jutta Benzenberg’s photographs tell the story of her country and its people through three books ...

Carolyn Drake Wild Pigeon

Douglas Stockdale on Carolyn Drake “Wild Pigeon” – Exploring China’s Western Province

China –  ‘Wild Pigeon’ by Carolyn Drake incorporates an allegory story of the same name, Wild Pigeon, written by Nurmuhemmet Yasin ...

Showing Slide 1 of 10