In this Emaho Magazine interview, Colombian-French photographer Karen Paulina Biswell reflects on 14 years collaborating with Emberá-Chamí artist Maria Amilbia Siagama. Rejecting extractive gazes, she explores shared authorship, photographic negatives in “Adua,” Glissant’s opacity, and decolonial rituals—questioning identity, legibility, and trust across Paris and Bogotá.
French photographer Mathias Depardon charts fragile identities and power in Transanatolia, Tigris-Euphrates basins, and sand extraction crises. From Kurdish borders to GAP dams’ ecological toll, his slow journalism probes geopolitics, environment, and forgotten voices across Turkey, Iraq, and beyond.
From capturing childhood’s vanishing essence on film to radicalizing her view at Johannesburg’s Market Photo Workshop, Michelle Loukidis now shapes Africa’s photography scene. This Emaho interview explores The Lens Collective’s women-led mentorship, Tombe magazine’s critical platform, and urgent narratives from emerging talents like Lindokuhle Sobekwa.
Iranian-French photojournalist Reza Deghati shares his journey from a Tabriz childhood witnessing injustice to 46 years documenting revolutions, wars, and resilience across 115 countries. From Iranian prisons to founding Aina and Reza Visual Academy, he champions photography as humanity’s universal language for truth, healing, and empowerment.
From a childhood of crafting without museums to distilling Coca-Cola into pure water in “The Real Thing,” Rotterdam artist Helmut Smits chisels poetry from the everyday. This Emaho interview unveils his minimalist conceptual process—unearthing ideas in consumer waste and grass stamps—blending wit, freedom, and accessible critique.
Austrian-Lebanese photographer Tanya Traboulsi speaks about growing up between two cultures, Beirut as muse and mirror, and photography as her language for memory, distance and belonging, reflecting through her series Beirut, Recurring Dream and photobook A Sea Apart.
