Australian artist Jedda-Daisy Culley unleashes feminist fury in her Emaho interview – dissecting motherhood’s rage through fluid steel sculptures and mythic portraits. From UNSW MFA to Paris residencies, she channels Louise Bourgeois’ legacy, unbounding female archetypes in visceral, transformative power.
LA gallerist Emilia Yin illuminates Make Room’s ethos in Emaho – crafting intimate spaces where Asian diaspora artists evolve beyond trends. From Hollywood’s incubator to global dialogues, she architects attention for bold voices, redefining LA’s contemporary scene with unwavering focus.
Kuwaiti artist Alymamah Rashed opens portals to personal mythologies in her Emaho interview. Seashells whisper rebirth, bodies cradle longing – transforming Dior bags and Piaget jewels into spiritual tapestries. From Kuwait’s bold scene, she merges ancestral gestures with global craft, defying obstacles through intuitive vision.
In this Emaho Magazine interview, Moroccan architect-curator Amine Amharech talks about the intersection of architecture, scenography, and exhibition-making. Rooted in Moroccan modernism yet globally engaged, his practice explores how space can shape cultural narratives, perception, and identity across contemporary art and design.
In this Emaho Magazine interview, Chilean artist Paulina Cerda channels geographic isolation into slow, material processes where fragments and erosion embody unresolved tensions. Rejecting landscape representation, her restrained works sustain fragile pauses—inviting ambiguity, memory, and listening amid Latin America’s conceptually quiet contemporary practices.
In this Emaho Magazine interview, Meng Zhou (RCA MA 2018) traces her journey from China to London, channeling meteorites, shells, and burnt wood into Il Trovatore’s spatial memories and Star Chart’s cosmic mapping. As “Keeper of the Fire,” she probes ecology, myth, and time’s erosions across Dust to Dust and Hero Game.
