Tommaso Tanini: “H. said he loved us” – An Oppressive Investigation

Born in Florence (Italy) in 1979. From 2003 to 2006 I attended a 3-years photography course at Fondazione Studio Marangoni. Since 2009 I work as a freelance photographer and a photography professor. In 2013, with two colleagues, I founded Discipula, a collaborative platform and independent publisher.

Italy – 

Following three years of travels and investigations in Germany, published by Discipula Editions Photography feature – Tommaso Tanini’s H. Said He Loved Us draws on the story of the GDR and the German Ministry for State Security (STASI) to explore the feelings of oppression and dread caused by living in a state of constant suspicion and diffidence. Mingling documentary research and literary references within a fictional narrative framework, his personal photographic study is an elegantly oppressive allegory of authoritarianism and domination.

The images of H. Said He Loved Us are immersed in a world devoid of names and references. Their timeless and spaceless nature reveals instead subtle and psychological qualities. Anonymous corners and small details of urban landscape become enigmatic monuments that echo the feelings of the people Tanini encountered during his research. There is a sinister quietness in the meticulously crafted spaces of his photographs that invokes contemplation.


4


Emerging from this austere landscape, the stories of five victims of the STASI are presented as a patchwork of collected documents, autobiographical notes, found images and portraits. This way, they acquire a new fragmented spirit, and become loose, anonymous and interactive accounts.

Structured as a rich mosaic of traces and suggestions, H. Said He Loved Us subtly warns us about the cyclical and evil nature of any form of totalitarianism, without imposing any unilateral vision and avoiding clichés.

 

Text by Mfg Paltrinieri & Federica Chiocchetti

Related Posts

Emaho Foundation’s Emerging Asian Photography Grant Winner Announced

India –  We are delighted to announce that Tsunomu Yamagata has won the Emaho Foundation‘s Emerging Asian Photography Grant 2015 ...

Bad dreams ? – Carlos Ayesta & Guillaume Bression

Japan –  Facing an imperceptible threat, Japan had no choice but to sort out contaminated territories and objects from those ...

FotoBookFestival 2014: Photobook Dummy Award Announced

Germany –  Final jury for the FotoBookFestival 2014 Dummy Award were: Deanne Templeton, Cristina de Middel, Todd Hido, Carlos Spottorno, ...

Emma Phillips: SALT

Australia – Young Melbourne photographer Emma Phillips’ new body of landscape images is so striking in its minimalist visage that ...

Robin Hammond : Condemned

New Zealand – Condemned: Mental Health in African Countries in Crisis by Robin Hammond presents a profound body of work ...

Patrick Brown: Trading to Extinction

Thailand – From the pristine jungles of Cambodia to the great national parks of India and Nepal, Asian wildlife is ...

Douglas Stockdale on Laia Abril “The Epilogue”

Laia Abril (b. 1986 Barcelona, Spain, currently resides in NYC and Barcelona) continues to develop narratives that probe identity issues ...

Veronica Fieiras: The Disappeared

Spain – Photography will never be able to run away from the memory’s territory and its stigma This is an ...

Lucie Foundation: International Photography Awards 2014 Announced

USA – The Lucie Awards presents the International Photography Awards (IPA) competition, a sister effort of the Lucie Foundation, and has ...