Thabiso Sekgala : Second Transition

Thabiso Sekgala (1981 – 15 October 2014) was a South African photographer. His work was about "land, peoples’ movement, identity and the notion of home".[1] Sekgala's photography was published in a book, Paradise (2014) and exhibited posthumously at the Hayward Gallery in London.

South Africa – 

‘Second Transition’ is the series of images that I’ve photographed in the areas around the mining town of Rustenburg. Rustenburg lies in the North West province of South Africa, one of the biggest platinum producing areas of the world.

The region has been in a state of transition for the last 100 years. The transitions started in the year 1890 when the chief of the Tswana tribe of BaMagopa, bought back their land, about 40 kilometers away from Rustenburg, from the white settlers called Brits. Currently, mining companies own most of the land around these towns. A majority of the people around here survives by working in these mines where working conditions are extremely poor.

 

  © Thabiso Sekgala

 

‘Second Transition’ is a term that refers to the new phase of negotiations after the Apartheid era. In the wake of the efforts to settle the inequality of Apartheid, the ANC has described this new initiative to negotiate the continued economic inequalities in South Africa as the Second Transition. Many black people in South Africa believe that the first transition in 1994 was a betrayal because more people than ever still live in poor conditions like they did during apartheid.

Last year in August, in a town called Marikana, the police killed 60 miners during a protest for better living conditions. For me this event was a reminder of the cruel system that continues to imprison poor people in the cycle of poverty. What happened during Apartheid happens even now in the new democratic state.

 

© Thabiso Sekgala

 

For me, mining and land ownership are the core issues when it comes to the Second Transition. The photographs in the series act as a symbol of or a witness to the economic imbalance, which exists in contemporary South Africa, where people increasingly inhabit contrasting economic realities. People live in poor conditions right next to the multibillion platinum-mining plants.

With these photographs I attempt to make the link with history of the people of BaMagopa tribe and the current situation where 60 Miners lost their life after being shot by the police during the protest. The events of Marikan mirror the Sharpville massacre of the 1960s. These photographs constitute evidence that history always repeats itself.

 

Written and Photography by Thabiso Sekgala

Related Posts

Ricardo Cases: El porqué de las naranjas (Why Oranges)

Spain –  I have seen a river in Paris / next to the grey tower / I have seen an ...

Hossein Farmani: “Many French organisations think that they own photography”

U.S.A – Hossein Farmani lends himself to the very forefront of the arts community; his passions have led him to ...

Dan Budnik: ‘Marching to the Freedom Dream’ – The Heroic Encounter

USA –  Marching To The Freedom Dream presents American photojournalist Photography feature – Dan Budnik’s significant body of work documenting ...

Black Tsunami – James Whitlow Delano

Japan – James Whitlow Delano is an American photojournalist who has lived in Japan for nearly 20 years. He has ...

Adam Broomberg & Oliver Chanarin: SCARTI

United Kingdom – Ghetto, Broomberg and Chanarin’s first collaboration with Trolley, was published ten years ago. It saw the then creative ...

Emma Phillips: SALT

Australia – Young Melbourne photographer Emma Phillips’ new body of landscape images is so striking in its minimalist visage that ...

Eamonn Doyle: “i”

Ireland –   I started photographing in and around Dublin city centre in the late 1980s, but I took something ...

Brett Rogers: 30 Years of Curating

Tom Wood, Not Miss New Brighton, 1978/79 © Tom Wood England –  In March, 2013, Emaho’s Editor-in-Chief Manik Katyal caught ...

Asako Narahashi: Ever After

Japan –   In Narahashi’s previous photobook, ‘Half Awake and Half Asleep in the Water’, (published in 2007 by Nazraeli ...