Thabiso Sekgala : Second Transition

Thabiso Sekgala (1981 – 15 October 2014) was a South African photographer. His work was about "land, peoples’ movement, identity and the notion of home".[1] Sekgala's photography was published in a book, Paradise (2014) and exhibited posthumously at the Hayward Gallery in London.

South Africa – 

‘Second Transition’ is the series of images that I’ve photographed in the areas around the mining town of Rustenburg. Rustenburg lies in the North West province of South Africa, one of the biggest platinum producing areas of the world.

The region has been in a state of transition for the last 100 years. The transitions started in the year 1890 when the chief of the Tswana tribe of BaMagopa, bought back their land, about 40 kilometers away from Rustenburg, from the white settlers called Brits. Currently, mining companies own most of the land around these towns. A majority of the people around here survives by working in these mines where working conditions are extremely poor.

 

  © Thabiso Sekgala

 

‘Second Transition’ is a term that refers to the new phase of negotiations after the Apartheid era. In the wake of the efforts to settle the inequality of Apartheid, the ANC has described this new initiative to negotiate the continued economic inequalities in South Africa as the Second Transition. Many black people in South Africa believe that the first transition in 1994 was a betrayal because more people than ever still live in poor conditions like they did during apartheid.

Last year in August, in a town called Marikana, the police killed 60 miners during a protest for better living conditions. For me this event was a reminder of the cruel system that continues to imprison poor people in the cycle of poverty. What happened during Apartheid happens even now in the new democratic state.

 

© Thabiso Sekgala

 

For me, mining and land ownership are the core issues when it comes to the Second Transition. The photographs in the series act as a symbol of or a witness to the economic imbalance, which exists in contemporary South Africa, where people increasingly inhabit contrasting economic realities. People live in poor conditions right next to the multibillion platinum-mining plants.

With these photographs I attempt to make the link with history of the people of BaMagopa tribe and the current situation where 60 Miners lost their life after being shot by the police during the protest. The events of Marikan mirror the Sharpville massacre of the 1960s. These photographs constitute evidence that history always repeats itself.

 

Written and Photography by Thabiso Sekgala

Related Posts

Juan Cristóbal Cobo: “I’m interested in discovering new ways of translating the everyday, in finding poetry in seemingly insignificant moments, and in allowing photography to surprise me again”

Colombian photographer Juan Cristóbal Cobo speaks about finding poetry in everyday life, transforming seemingly insignificant moments into powerful visual stories. ...

Yang Seung-woo: The Korean Underworld – Sex, Drugs and Salvage

THIS STORY CONTAINS EXPLICIT CONTENT Korea- Yang Seung-woo is a Korean born photographer who currently resides in Tokyo, he has stimulating ...

Colin Pantall on Paul Gaffney’s We Make the Path by Walking

Ireland – Paul Gaffney sent me his lovely book, We Make the Path by Walking. It’s a gorgeous book that creates a ...

Tatiana Tcherkezyan: Deep Inside

Russia – THIS STORY CONTAINS EXPLICIT CONTENT For more than 4 years I have been collecting the material for this ...

Begum Yamanlar: Memory, Ruin and Photographing Vanishing Spaces

Turkish photographer and visual artist Begum Yamanlar explores the fragile intersections of memory, architecture, landscape, and time. In this conversation ...

Emily Garthwaite: Photographing Iraq, Ritual, and Resilience

In this interview with *Emaho*, Emily Garthwaite reflects on years of photographing Iraq through a deeply human lens, documenting life ...

Cristina de Middel: ‘This Is What Hatred Did’ – The Nigerian Escapade

Nigeria –  In the 1960s, a five-year-old Nigerian child’s village was attacked by soldiers. His mother had left him home ...

Emeric Lhuisset: Hundred Portraits of Demonstrators from Maydan Square in Ukraine

Ukraine –  On Maydan Square in Kiev, French photographer Émeric Lhuisset (b. 1983) created a compelling series of portraits of ...

Atsushi Fujiwara: ‘Poet Island’ – Soul-Stirring Photos of Sanatoriums in Japan’s Nagashima Island

Japan – I was an eight year-old child when I first visited this island. My parents brought me along to ...

Colin Pantall on Thomas Sauvin’s Quanshen

China –                                     ...

Asger Carlsen: From Crime-Photography to Mutilated, Disfigured Human Form

USA – Asger Carlsen’s images consist of mutilated, disfigured and distorted human forms with a typical obscure quality to them. He ...

Emin Ozmen: Documenting Turkey’s Unfinished History Through Photography

From the trauma of the 1993 Sivas massacre to documenting wars, displacement and political upheaval across Turkey and the Middle ...