Thabiso Sekgala : Second Transition

Thabiso Sekgala (1981 – 15 October 2014) was a South African photographer. His work was about "land, peoples’ movement, identity and the notion of home".[1] Sekgala's photography was published in a book, Paradise (2014) and exhibited posthumously at the Hayward Gallery in London.

South Africa – 

‘Second Transition’ is the series of images that I’ve photographed in the areas around the mining town of Rustenburg. Rustenburg lies in the North West province of South Africa, one of the biggest platinum producing areas of the world.

The region has been in a state of transition for the last 100 years. The transitions started in the year 1890 when the chief of the Tswana tribe of BaMagopa, bought back their land, about 40 kilometers away from Rustenburg, from the white settlers called Brits. Currently, mining companies own most of the land around these towns. A majority of the people around here survives by working in these mines where working conditions are extremely poor.

 

  © Thabiso Sekgala

 

‘Second Transition’ is a term that refers to the new phase of negotiations after the Apartheid era. In the wake of the efforts to settle the inequality of Apartheid, the ANC has described this new initiative to negotiate the continued economic inequalities in South Africa as the Second Transition. Many black people in South Africa believe that the first transition in 1994 was a betrayal because more people than ever still live in poor conditions like they did during apartheid.

Last year in August, in a town called Marikana, the police killed 60 miners during a protest for better living conditions. For me this event was a reminder of the cruel system that continues to imprison poor people in the cycle of poverty. What happened during Apartheid happens even now in the new democratic state.

 

© Thabiso Sekgala

 

For me, mining and land ownership are the core issues when it comes to the Second Transition. The photographs in the series act as a symbol of or a witness to the economic imbalance, which exists in contemporary South Africa, where people increasingly inhabit contrasting economic realities. People live in poor conditions right next to the multibillion platinum-mining plants.

With these photographs I attempt to make the link with history of the people of BaMagopa tribe and the current situation where 60 Miners lost their life after being shot by the police during the protest. The events of Marikan mirror the Sharpville massacre of the 1960s. These photographs constitute evidence that history always repeats itself.

 

Written and Photography by Thabiso Sekgala

Related Posts

In Confrontation With The Apparent – Swapan Parekh

India – Emaho caught up with celebrated Indian Photographer Swapan Parekh who is  widely acclaimed for having brought  the documentary ...

Karen Paulina Biswell: “Against Extraction: Photography, Right to Opacity, and the Refusal to Translate”

In this Emaho Magazine interview, Colombian-French photographer Karen Paulina Biswell reflects on 14 years collaborating with Emberá-Chamí artist Maria Amilbia ...

Mathias Depardon: “Mapping Identity and Territory – From Transanatolia to the Rivers of Mesopotamia”

French photographer Mathias Depardon charts fragile identities and power in Transanatolia, Tigris-Euphrates basins, and sand extraction crises. From Kurdish borders ...

Tom Hunter: Life on the Road

United Kingdom –  Life on the Road captures a remarkable moment in time, in the 1990s, when young people travelled ...

Robin Maddock III

England –                                      ...

Aymen Al-Ameri: Framing Iraq Beyond Conflict

Baghdad photographer Aymen Al-Ameri reframes post-conflict resilience in his Emaho interview. Through poignant portraits and urban aftermaths, he captures Iraqi ...

Yoshikatsu Fujii: “Incipient Strangers” – Photographying Family’s Internal Conflicts

Japan –  Siblings can be incipient strangers. Even siblings sharing the same blood can become distant and turn into strangers ...

Momo Okabe: “I truly wanted to destroy everything I had”

Japan –   Momo Okabe’s photographs depict the bare situation. Be it the sexual act, a wasteland, or the wake of ...

Wenxin Zhang: FIVE NIGHTS, AQUARIUM

China –  Five Nights, Aquarium is a non-linear narration weaved by photographs and five short written works. I try to ...

Linda Zhengova: Photographing Eroticism, Memory and the Politics of Being Seen

Czech Chinese photographer and writer Linda Zhengová moves between memory, trauma, eroticism and human connection with startling emotional honesty. In ...

Katja Stuke & Oliver Sieber: Nothing To My Name

China –  Music plays an important role in subcultures and protest movements. Music brings people together – both in clubs, ...

Noriko Hayashi: “I saw many bride kidnappings in Kyrgyzstan”

Kyrgyzstan – Represented by Panos Pictures, Japanese photojournalist Noriko Hayashi has worked in diverse regions around the world, including Pakistan, ...

Showing Slide 1 of 13