Takeshi Ishikawa: HIJRAS – The Third Gender of India

Japanese photographer Takeshi Ishikawa indian works,third gender of india.

THIS STORY CONTAINS EXPLICIT CONTENT

In Indian society, it is said that when a hermaphrodite baby is born in an Indian family, Hijras come to the house to receive the child and the baby is brought up as a Hijra. Though it may be probable that such cases existed, it is now no more than a legend. Most become Hijras through castration. Whenever I asked a Hijra, “What is Hijra?” they answered, “We are neither female nor male, but Hijra is Hijra.” Yes, this answer explains everything about them.

This understanding means the transcending of genders, to recognize the special gender, which is not categorized as female nor male but as the third gender, and to exist as the third gender. They wear female costumes when they engage in traditional works, and they enjoy this transvestism cordially. They wear their hear long, various accessories and elaborated make-up. Their passion to become beautiful seems to be stronger than that of women.

 

Takeshi_Ishikawa_HIJRASPokaraji is standing on the front of the blue wall in a bathroom. The bulges on her breast are not made of silicon. If castrated before around 13 years old,  Hijra’s breast expands without any artificual work @ Takeshi Ishikawa

 

When I asked why some had become Hijras, I received the following answers: “Though I was born as a man, I felt a feeling of wrongness or of uneasiness in being a man”; “I could not cope with the masculine role which the society requires of me”; “I could not feel that I was a man because my masculine genital is too small and impotent”. Hijras express a facet of the world peculiar to India, which is very different from the West and Japan, where the dualism concept divides genders into male or female. Hindu tantric belief maintains that the hermaphrodite is the complete gender, comprising both male and female principles.
Photography

 

 

Related Posts

Erik van der Weijde: Home is where the Dog is

Holland –   Photography feature – Erik van der Weijde has produced more then 40 publications. Home is where the Dog is, his latest one, continues his ...

Linda Zhengova: Photographing Eroticism, Memory and the Politics of Being Seen

Czech Chinese photographer and writer Linda Zhengová moves between memory, trauma, eroticism and human connection with startling emotional honesty. In ...

Monk… Its personal – Ekkarat Punyatara

Thailand – I believe Buddhism or the middle way of Buddha is the personal journey of each person’s mind, observing ...

Marilene Coolens Lisa De Boeck

Marilène Coolens & Lisa De Boeck: “The Umbilical Vein” – Mother Photographs Her Daughter For 13 Years

Belgium – For The Umbilical Vein, photography team Memymom, composed of mother Marilène Coolens and daughter Lisa De Boeck, unearth a collection ...

Sputnik Photos Lost Territories

Lost Territories: Support Sputnik Photos project on Post-Soviet Countries of Central Asia

Poland –  Twenty-five years after the fall of the USSR five Sputnik Photos photographers are setting out on a journey ...

Wenxin Zhang: FIVE NIGHTS, AQUARIUM

China –  Five Nights, Aquarium is a non-linear narration weaved by photographs and five short written works. I try to ...

Jeroen Toirkens: Solitude

Netherlands – In April 2013 Jeroen Toirkens and Petra Sjouwerman travelled by car, boat, bus and snowmobile across the Barents ...

Douglas Stockdale: Pine Lake

USA – Pine Lake is a fictional story about a multi-generational American rite of summer. It is a visual narrative that investigates ...

Jannatul Mawa: “Close Distance” – Powerful Portraits of Bangladesh Maids and Their Women Employers

Bangladesh –  Historically, domestic servants worked (only) for food and lodging in better-off homes of predominantly rural eastern Bengal. The ...

Showing Slide 1 of 10