Takeshi Ishikawa: HIJRAS – The Third Gender of India

Japanese photographer Takeshi Ishikawa indian works,third gender of india.

THIS STORY CONTAINS EXPLICIT CONTENT

In Indian society, it is said that when a hermaphrodite baby is born in an Indian family, Hijras come to the house to receive the child and the baby is brought up as a Hijra. Though it may be probable that such cases existed, it is now no more than a legend. Most become Hijras through castration. Whenever I asked a Hijra, “What is Hijra?” they answered, “We are neither female nor male, but Hijra is Hijra.” Yes, this answer explains everything about them.

This understanding means the transcending of genders, to recognize the special gender, which is not categorized as female nor male but as the third gender, and to exist as the third gender. They wear female costumes when they engage in traditional works, and they enjoy this transvestism cordially. They wear their hear long, various accessories and elaborated make-up. Their passion to become beautiful seems to be stronger than that of women.

 

Takeshi_Ishikawa_HIJRASPokaraji is standing on the front of the blue wall in a bathroom. The bulges on her breast are not made of silicon. If castrated before around 13 years old,  Hijra’s breast expands without any artificual work @ Takeshi Ishikawa

 

When I asked why some had become Hijras, I received the following answers: “Though I was born as a man, I felt a feeling of wrongness or of uneasiness in being a man”; “I could not cope with the masculine role which the society requires of me”; “I could not feel that I was a man because my masculine genital is too small and impotent”. Hijras express a facet of the world peculiar to India, which is very different from the West and Japan, where the dualism concept divides genders into male or female. Hindu tantric belief maintains that the hermaphrodite is the complete gender, comprising both male and female principles.
Photography

 

 

Related Posts

Eriko Koga: “Issan” – Magical visit to 1200 year old monastery in Mt. Koya

Japan – In 2009, photographer Eriko Koga visited Mt. Kōya, home of a 1,200 year old Buddhist monastery in the ...

Jost Franko: Shepherds

Slovenia –  The shepherd community that has existed for more than 500 years on Velika planina in Slovenia is a ...

Oscar Monzon: KARMA

Spain –  In Karma, a project developed in Madrid between 2009 and 2013, Óscar Monzón focuses on the car as a ...

Hossein Farmani: “Many French organisations think that they own photography”

U.S.A – Hossein Farmani lends himself to the very forefront of the arts community; his passions have led him to ...

Ines Dumig Apart Together

Ines Dumig: “Apart Together” – Regaining the lost Identity

Germany –  According to the International Organisation of Migration, there are over 200 million migrants worldwide and the geographic region ...

Vitaly Flomenko Riotbooks

Vitaly Fomenko: Revisionist Soviet Rules of the Road

Russia –   “In the Fall of 2014 the world witnessed with confusion, how, headed by the ambitious adventurer Putin, ...

Douglas Stockdale: Pine Lake

USA – Pine Lake is a fictional story about a multi-generational American rite of summer. It is a visual narrative that investigates ...

Brett Rogers: 30 Years of Curating

Tom Wood, Not Miss New Brighton, 1978/79 © Tom Wood England –  In March, 2013, Emaho’s Editor-in-Chief Manik Katyal caught ...

Sanne De Wilde: The Dwarf Empire

China – 小人国 在中国云南、在昆明美丽的滇池湖边、在一片原始森林里,有一个由上百矮人族群组成的梦幻国度—它就是世界蝴蝶生态园·“小人国”。这里的小矮人们勤劳、善良、多才多艺、英勇无畏。他们拥有自己的国度,拥有自己的国王、自己的军队、外交部、御膳厨房和臣民 “In the Chinese province Yunnan, close to the beautiful Dianchi lake, exists a magic land in ...