Takeshi Ishikawa: HIJRAS – The Third Gender of India

Japanese photographer Takeshi Ishikawa indian works,third gender of india.

THIS STORY CONTAINS EXPLICIT CONTENT

In Indian society, it is said that when a hermaphrodite baby is born in an Indian family, Hijras come to the house to receive the child and the baby is brought up as a Hijra. Though it may be probable that such cases existed, it is now no more than a legend. Most become Hijras through castration. Whenever I asked a Hijra, “What is Hijra?” they answered, “We are neither female nor male, but Hijra is Hijra.” Yes, this answer explains everything about them.

This understanding means the transcending of genders, to recognize the special gender, which is not categorized as female nor male but as the third gender, and to exist as the third gender. They wear female costumes when they engage in traditional works, and they enjoy this transvestism cordially. They wear their hear long, various accessories and elaborated make-up. Their passion to become beautiful seems to be stronger than that of women.

 

Takeshi_Ishikawa_HIJRASPokaraji is standing on the front of the blue wall in a bathroom. The bulges on her breast are not made of silicon. If castrated before around 13 years old,  Hijra’s breast expands without any artificual work @ Takeshi Ishikawa

 

When I asked why some had become Hijras, I received the following answers: “Though I was born as a man, I felt a feeling of wrongness or of uneasiness in being a man”; “I could not cope with the masculine role which the society requires of me”; “I could not feel that I was a man because my masculine genital is too small and impotent”. Hijras express a facet of the world peculiar to India, which is very different from the West and Japan, where the dualism concept divides genders into male or female. Hindu tantric belief maintains that the hermaphrodite is the complete gender, comprising both male and female principles.
Photography

 

 

Related Posts

The Whale’s Eyelash: A Play in Five Acts

United Kingdom –  The great technological leap forward that took place in the 19th century in optical lens systems such ...

Marlous Van Der Sloot: Le Corps Vecu

Netherlands – In modern society we often forget that ‘the physical’ is also a source of information. Because of rationalization, ...

Francois Hebel : The Arles Aesthetic

France –  Francois Hebel, one of the most influential man in photography today boasts of a prolific career, spanning 12 ...

Yoshikatsu Fujii: Red String

Japan –  I received an sms message. “Today, our divorce was finalized.” Only at that time the message from my ...

Mathias Depardon: “Mapping Identity and Territory – From Transanatolia to the Rivers of Mesopotamia”

French photographer Mathias Depardon charts fragile identities and power in Transanatolia, Tigris-Euphrates basins, and sand extraction crises. From Kurdish borders ...

What Remains – Sarker Protick

Bangladesh –  It was in the afternoon, I was sitting on my grandpa’s couch. The door was slightly open and ...

Intifada in Kashmir : Sami Siva

India – At the time of partition in 1947, the Maharaja of Kashmir Hari Singh was forced to seek India’s ...

PhotoEspaña 13 : Body. Eros and Politics.

Spain –  PhotoEspaña, one of the most important photography festivals in Europe, which has its epicentre in Madrid (exhibitions also ...

Hossein Farmani: “Many French organisations think that they own photography”

U.S.A – Hossein Farmani lends himself to the very forefront of the arts community; his passions have led him to ...

Awoiska van der Molen: “Sequester” – Photographic Meditation of Volcanic Landscape in Canary Islands

Netherlands – I stay in places, locations far from the outside world. Being in this world -and the long time ...

David León Rodríguez: Decency

Spain –  “LA DECENCIA” …there are two races of men in this world, but only these two: the ‘race’ of ...

Open Books: Post-War Artist Books at Paris Photo 2014

France –  Each one of the books presented here has been created with the urge to formulate a unique artistic ...