Cristina de Middel: ‘This Is What Hatred Did’ – The Nigerian Escapade

Cristina de Middel is a Spanish documentary photographer and artist living and working in Uruapan, Mexico. De Middel self-published The Afronauts in 2012, a photobook about the short-lived Zambian space program in Southern Africa. The book quickly sold out and the work was met with critical acclaim.

Nigeria – 

In the 1960s, a five-year-old Nigerian child’s village was attacked by soldiers. His mother had left him home alone and he had to run away, escaping the bombs and the fire. He saved his life entering the Bush, this magical territory where no humans are allowed and where all the Yoruba spirits live and fight. Our kid spent thirty years lost in the Bush trying to find his way back home amongst the spirits and the dead. He got married two times, became a king, a god, a slave, a cow, a jar, a horse, and a goat. He ate gold, silver and bronze, snakes and snails. He fought two wars and was sentenced to death half a dozen times… all that in just one hundred pages.

Amos Tutuola wrote My Life in the Bush of Ghosts in 1964 and then had to leave the country to escape the violent reactions to a book that would open in exile a new path for contemporary African narratives. The story is told by the five year old child in a very basic, direct, naive and repetitive style that only children master, but it manages to convey the magical and absurd reality that war and religion added to the Nigerian experience.

In her latest series This is What Hatred Did (the mysterious last sentence of the book), Middel aims to provide an illustrated contemporary version of this story, adapting the characters, space and the ambient to the actual situation of the country. The Bush is now the Lagosian neighborhood of Makoko, a floating slum with its own rules, commanded by kings and community leaders. It is a place where no logic seems to prevail and that is equally forbidden for those who do not belong. With the conviction that contemporary issues should be described in a way that includes the ancient traditions, perspectives, fears and hopes, this series documents the enhanced reality of one of the most iconic places in Nigeria, according to the always dramatic media.


Written & Photography by Cristina de Middel 

Related Posts

David Hornillos Mediodia

David Hornillos: “Mediodia” – Spanish Midday Love For Orange Brick Wall

Spain –  Madrid’s Atocha station was formerly known as Mediodía (Midday), as it was the city’s Southbound railway hub. This ...

Bombay Dreams – Aparna Jayakumar

India – Emaho caught up with Mumbai-based photographer Aparna Jayakumar who has done some very interesting documentary, editorial and commercial ...

Andy Rocchelli: “Russian Interiors” – Intimate Portrait of Women in their Private Spaces

Italy –  Andy started to travel to Russia in 2010; there he spent a considerable amount of time working asa ...

Poulomi Basu: “A Ritual of Exile” – Exposing Women Condition in Nepal

Nepal –  “It’s dark, and there is no light. I feel so scared someone might come.” Radha is only 16 ...

Tiago Casanova: “The Pearl of Atlantic” – Subjective Relationship Between Beauty and Uglyness

Portugal –  Pearl* – “Hard object that grows around a grain of sand or other foreign matter as a defensive ...

Miti Ruangkritya: Christmas Trees Vol. 1

Thailand –  Towards the end of each year public spaces and commercial centers throughout Bangkok undergo a temporary aesthetic shift ...

Anna Fox: ‘Resort 2’ – British Adult Parties and a Photographic Carnival

United Kingdom –  For two years British photographer Photography Feature –  Anna Fox documented holiday culture at the iconic Butlin’s ...

Scoffing Pig : Nozomi Iijima

Japan –  I grew up as a farmer’s daughter. My home was sandwiched between a pigpen and a farmhouse and ...

Yaakov Israel: “The Quest for the Man on The White Donkey” – Powerful Photos of Israel/Palestine

Israel – As per the Orthodox Jewish tradition, the Messiah (the Prophet) will arrive riding on a white donkey. A ...