Search
Close this search box.

Cristina de Middel: ‘This Is What Hatred Did’ – The Nigerian Escapade

Cristina de Middel is a Spanish documentary photographer and artist living and working in Uruapan, Mexico. De Middel self-published The Afronauts in 2012, a photobook about the short-lived Zambian space program in Southern Africa. The book quickly sold out and the work was met with critical acclaim.

Nigeria – 

In the 1960s, a five-year-old Nigerian child’s village was attacked by soldiers. His mother had left him home alone and he had to run away, escaping the bombs and the fire. He saved his life entering the Bush, this magical territory where no humans are allowed and where all the Yoruba spirits live and fight. Our kid spent thirty years lost in the Bush trying to find his way back home amongst the spirits and the dead. He got married two times, became a king, a god, a slave, a cow, a jar, a horse, and a goat. He ate gold, silver and bronze, snakes and snails. He fought two wars and was sentenced to death half a dozen times… all that in just one hundred pages.

Amos Tutuola wrote My Life in the Bush of Ghosts in 1964 and then had to leave the country to escape the violent reactions to a book that would open in exile a new path for contemporary African narratives. The story is told by the five year old child in a very basic, direct, naive and repetitive style that only children master, but it manages to convey the magical and absurd reality that war and religion added to the Nigerian experience.

In her latest series This is What Hatred Did (the mysterious last sentence of the book), Middel aims to provide an illustrated contemporary version of this story, adapting the characters, space and the ambient to the actual situation of the country. The Bush is now the Lagosian neighborhood of Makoko, a floating slum with its own rules, commanded by kings and community leaders. It is a place where no logic seems to prevail and that is equally forbidden for those who do not belong. With the conviction that contemporary issues should be described in a way that includes the ancient traditions, perspectives, fears and hopes, this series documents the enhanced reality of one of the most iconic places in Nigeria, according to the always dramatic media.


Written & Photography by Cristina de Middel 

Related Posts

Colin Pantall on Ken Grant “No Pain Whatsoever”

England –   ‘It began as a way of remembering the craftspeople and laborers of my adolescence,’ writes Ken Grant …

Goodbye My Chechnya – Diana Markosian

Russia – “Goodbye My Chechnya”  chronicles the lives of young Muslim girls in the aftermath of war.  This piece aims to …

Alvaro Laiz: Wonderland

Venezuela – Wonderland The Delta of Amacuro in eastern Venezuela is one of the most inhospitable places in the world. …

Daisuke Yokata: Site/Cloud

Japan – I see a photo. I took it. Although many decades have not passed since the shoot, I cannot …

Scoffing Pig : Nozomi Iijima

Japan –  I grew up as a farmer’s daughter. My home was sandwiched between a pigpen and a farmhouse and …

Jannatul Mawa: “Close Distance” – Powerful Portraits of Bangladesh Maids and Their Women Employers

Bangladesh –  Historically, domestic servants worked (only) for food and lodging in better-off homes of predominantly rural eastern Bengal. The …

Emeric Lhuisset: Hundred Portraits of Demonstrators from Maydan Square in Ukraine

Ukraine –  On Maydan Square in Kiev, French photographer Émeric Lhuisset (b. 1983) created a compelling series of portraits of …

Jeroen Toirkens: Solitude

Netherlands – In April 2013 Jeroen Toirkens and Petra Sjouwerman travelled by car, boat, bus and snowmobile across the Barents …

They : Zhang Xiao

China –  In China, every year hundreds of millions of people find work in other places. Like them I am …