Kanako Sato: Kaleidoscope

Photographer Kanako Sato one of EIZO’s ColorEdge Ambassadors, has long been using ColorEdge for her work. We talked to Ms. Sato about what she sees as important when creating works and her experience using ColorEdge.

Japan – 

The calm surface of the water – it is the most beautiful mirror that is made by nature. It does not only reflect the scenery of the land but also the inside the water if you look up at the surface in the water.

It was about two years ago in the ocean near Tokyo when I had experienced the amazing scenery in the water. A figure of a floating jellyfish was reflected on the surface of the water, which made me see a whole new figure of the creature with a different design from what we usually see.

This time, my series of the photographs were inspired by my experience in the water. All my objects are plants and animals that live deep in the water. They would rarely be seen at the surface.  In my picture, I made it symmetrical to show the beauty and tried to express the scenery in the water as an art. I think repetition can enhance the quality of its beauty.

My works represent the undersea world as kaleidoscopes of lives while they resemble mandala which is a spiritual symbol representing the universe. Mandala expresses a sacred place and divinity having symbols of nature and the divine. Making photos of creatures and sceneries symmetrical, I was able to show the undersea world more divine as a sacred place and also found myself having been viewing it as a sacred one. It is because the Japanese cultural concept that all of the things in nature are the divine ones that we should respect is ingrained in myself.

 Though it’s a sacred place, the ocean can easily be destroyed by our hands. In order for us to have minds to keep the beautiful ocean as it is, visualizing divinity of the ocean is one of the most effective ways. I will keep expressing the beauty of the ocean through my works of underwater kaleidoscopes and mandalas.

Art & Culture Featured – Written and Photographed by Kanako Sato

Related Posts

Auronda Scalera & Dr. Alfredo Cramerotti: “Beyond Gatekeeping – Curating Power, Ethics, and the Middle East’s Cultural Future”

Curator duo Auronda Scalera and Dr. Alfredo Cramerotti redefine curation beyond gatekeeping - as ethical translators navigating AI authorship, Middle ...

Andrew Salgado : Beautiful Monstrosities

England – London-based Canadian artist Andrew Salgado has long been trademarked as a painter who only paints portraits of men representing ...

Alyssa Monk’s Photo-Realistic Paintings

USA –  Monks‘s paintings have been the subject of numerous solo and group exhibitions including “Intimacy” at the Kunst Museum ...

Nucleya : Mashing it up

India –  Currently a one-man army under the onstage alias ‘Nucleya‘, this is a man who has been a pioneer ...

Ramtin Zad: “My process is spontaneous and unpremeditated – I work through discovery in the moment, without prior planning or intellectual filtering”

Dominated by its fleshy, richly hued and debaucherous qualities, the work of Ramtin Ramtin Zad brings two-dimensional realities into three-dimensional ...

Emilia Yin: The Architecture of Attention in Contemporary Art

LA gallerist Emilia Yin illuminates Make Room's ethos in Emaho - crafting intimate spaces where Asian diaspora artists evolve beyond ...

Breakfast Cereal as Pop Culture Object – Ernie Button

U.S.A. –  American artist Ernie Button finds the human element in deserted places.  His photographs capture a sense of nostalgia ...

The Surreally Whimsical World of Shae DeTar

USA –  Colourful, quirky, antiquated and yet modern is what comes to mind when you see model-turned-artist Shae Acopian Detar’s ...

Joshua Hoffine : House of Horror

U.S.A. –  The most pursued genres of photography may be weddings, wildlife, fashion et al, but American photographer Joshua Hoffine‘s ...

Showing Slide 1 of 10