Emma Phillips: SALT

Young Melbourne photographer Emma Phillips’ new body of landscape images is so striking in its minimalist visage that it almost borders on abstraction. Shot amid the dramatic manmade undulations of a salt mine, SALT hints at many of the tropes of the landscape and picturesque tradition, only for the subject itself – the huge, white mounds of glistening salt – to cause a slippage. It’s a familiar form, but an alien landscape. Phillips also traces fragments of industrial and domestic infrastructure within this strange environment. The arc of a conveyor belt juts obliquely from towering apex of salt; a caravan, itself blasted white, sits oxidising in the midst of a vast, sun-beaten, white plane; an orange digger chugs across an otherwise colourless frame. Phillips has used salt as an allegory – reduced and economised – for the Australian interior.

Australia –

Young Melbourne photographer Emma Phillips’ new body of landscape images is so striking in its minimalist visage that it almost borders on abstraction. Shot amid the dramatic manmade undulations of a salt mine, SALT hints at many of the tropes of the landscape and picturesque tradition, only for the subject itself – the huge, white mounds of glistening salt – to cause a slippage. It’s a familiar form, but an alien landscape. Phillips also traces fragments of industrial and domestic infrastructure within this strange environment. The arc of a conveyor belt juts obliquely from towering apex of salt; a caravan, itself blasted white, sits oxidising in the midst of a vast, sun-beaten, white plane; an orange digger chugs across an otherwise colourless frame. Phillips has used salt as an allegory – reduced and economised – for the Australian interior..

 

Written by Dan Rule

 

HC131212A_SaltBook_5

 

“Emma was one of the photobook-making workshop participants at the OBSCURA Photo Festival in Malaysia. By that time she had already produced a pretty large dummy photobook, which was beautifully done but only a single copy was made. To accompany her solo exhibition in Australia in November – this time she made 500 copies of the book. The best part is that we can now own this beautiful work in a book format.” – Yumi Goto on Emma Phillips’ book SALT.

Photography

 

Related Posts

Bernard Faucon: Chambers of Gold, 1987-1989

France – In 1987, I went to Japan for the second time. I came back dizzy with the gold and ...

Sputnik Photos Lost Territories

Lost Territories: Support Sputnik Photos project on Post-Soviet Countries of Central Asia

Poland –  Twenty-five years after the fall of the USSR five Sputnik Photos photographers are setting out on a journey ...

Robin Maddock III

England –                                      ...

Karen Paulina Biswell: “Against Extraction: Photography, Right to Opacity, and the Refusal to Translate”

In this Emaho Magazine interview, Colombian-French photographer Karen Paulina Biswell reflects on 14 years collaborating with Emberá-Chamí artist Maria Amilbia ...

Anna Fox: ‘Resort 2’ – British Adult Parties and a Photographic Carnival

United Kingdom –  For two years British photographer Photography Feature –  Anna Fox documented holiday culture at the iconic Butlin’s ...

Pierfrancesco Celada: Hitoride (Literally: By yourself, Alone)

Japan – During a brief visit to Japan in 2009 I was soon fascinated by the isolation and loneliness I ...

Miti Ruangkritya: Christmas Trees Vol. 1

Thailand –  Towards the end of each year public spaces and commercial centers throughout Bangkok undergo a temporary aesthetic shift ...

Petra Stavast: ‘Ramya’ – Beautifully Archiving Your Landlady for 14 years

Netherlands –  Ramya, long-term personal project converted into a photobook by Dutch photographer Petra Stavast, made over a period of 14 years, ...

Aaron McElroy: After Awake

THIS STORY CONTAINS EXPLICIT CONTENT After Wake is a collection of visual fragments & anonymous female subjects from the artist’s ...

Showing Slide 1 of 10