The English Islamophobia and 2041’s Burqa Fetish

A burqa or a burka, also known as a chadaree in Afghanistan or a paranja in Central Asia, is an enveloping outer garment which covers the body and the face that is worn by women in some Islamic traditions. The Arab version of the burqa is called the boshiya, and it is usually black.

England – 

2041’ is an eponymous collection of self-portraits, concealed beneath various forms of burqa or niqab. Using the camera to articulate a passion he has secretly indulged for decades, the artist appears dozens of times without ever disclosing his image or identity.

Long before 2041 bought his first real burqa online, he began crafting his own versions from draped and folded fabrics in a rich array of textures and colours. By photographing himself in these costumes – ranging from the traditional to the theatrical – he adopts multiple personas, but always remains anonymous.


1301_6396724631_o-b

2041’s first memories of the pleasure of being enveloped in swathes of cloth are from his days as a choirboy. As an adult, he developed an interest in more complete coverings, but it was only ten years ago that he first bought a computer and found an online community that shares his passion.

The photographs in 2041 were selected from thousands that he made to share with these fellow enthusiasts. Anonymised by both the internet and the veil, these men and women, Christian, Muslim and without religion, post their pictures and thoughts from locations spanning Western Europe and the Gulf States.

For many, including Muslim men, the practice is driven by what one Christian woman describes as her ‘insatiable desire for extreme modesty.’ What almost all seem to crave is transcendence of the physical self – or at least being judged on the physical – coupled with the excitement of observing the world unseen, safely cocooned in luxuriant fabrics. This is the burqa seen in a celebratory light.

Photography

Related Posts

Michelle Frankfurter Destino

Douglas Stockdale on Michelle Frankfurter “Destino”

USA –  This is my first review of the photobook series published by FotoEvidence, a non-profit organization that focuses on ...

Jannatul Mawa: “Close Distance” – Powerful Portraits of Bangladesh Maids and Their Women Employers

Bangladesh –  Historically, domestic servants worked (only) for food and lodging in better-off homes of predominantly rural eastern Bengal. The ...

Jiehao Su: “Borderland” – Reconstructing Personal Memories

China –  Borderland is a project deeply rooted in my personal history. I spent my early twenties living a nomadic ...

Hans Gremmen: ‘Peeling off the layers’- Understanding the link between Photobooks and Design

Netherlands –  Hans Gremmen is a talented designer based in Amsterdam known for his innovative work with photo books. Regularly ...

Andrew Miksys: DISKO

Lithuania – For ten years Andrew Miksys traveled the back roads of Lithuania photographing teenagers in village discos. Most of ...

Boris Eldagsen: The Poems

Germany –  Boris Eldagsen‘s Photography explore the limits of what can be depicted. The ‘POEMS’ utilise the external reality, to ...

Tiane Doan na Champassak: Kolkata

India –  August, 1943. Night is falling on Calcutta, silencing its flocks of ravens, but wakening another kind of life ...

Mathias Depardon: “Mapping Identity and Territory – From Transanatolia to the Rivers of Mesopotamia”

French photographer Mathias Depardon charts fragile identities and power in Transanatolia, Tigris-Euphrates basins, and sand extraction crises. From Kurdish borders ...

Linda Fregni Nagler: The Hidden Mother

United Kingdom –  In the vein of Francis Alÿs’s Fabiola and Andy Warhol’s Time Capsules, Linda Fregni Nagler has collected ...

Showing Slide 1 of 10