The English Islamophobia and 2041’s Burqa Fetish

A burqa or a burka, also known as a chadaree in Afghanistan or a paranja in Central Asia, is an enveloping outer garment which covers the body and the face that is worn by women in some Islamic traditions. The Arab version of the burqa is called the boshiya, and it is usually black.

England – 

2041’ is an eponymous collection of self-portraits, concealed beneath various forms of burqa or niqab. Using the camera to articulate a passion he has secretly indulged for decades, the artist appears dozens of times without ever disclosing his image or identity.

Long before 2041 bought his first real burqa online, he began crafting his own versions from draped and folded fabrics in a rich array of textures and colours. By photographing himself in these costumes – ranging from the traditional to the theatrical – he adopts multiple personas, but always remains anonymous.


1301_6396724631_o-b

2041’s first memories of the pleasure of being enveloped in swathes of cloth are from his days as a choirboy. As an adult, he developed an interest in more complete coverings, but it was only ten years ago that he first bought a computer and found an online community that shares his passion.

The photographs in 2041 were selected from thousands that he made to share with these fellow enthusiasts. Anonymised by both the internet and the veil, these men and women, Christian, Muslim and without religion, post their pictures and thoughts from locations spanning Western Europe and the Gulf States.

For many, including Muslim men, the practice is driven by what one Christian woman describes as her ‘insatiable desire for extreme modesty.’ What almost all seem to crave is transcendence of the physical self – or at least being judged on the physical – coupled with the excitement of observing the world unseen, safely cocooned in luxuriant fabrics. This is the burqa seen in a celebratory light.

Photography

Related Posts

Francesca Seravalle on Paul Kooiker “HE SHE WE”

 Holland – THIS STORY CONTAINS EXPLICIT CONTENT Hidden from indiscreet eyes, in his room, in a heavenly garden or exposed ...

Alberto Lizaralde: “everything will be ok”

Spain –  In life we all go through good times and bad times over and over, tirelessly. I went through ...

Emily Garthwaite: Photographing Iraq, Ritual, and Resilience

In this interview with *Emaho*, Emily Garthwaite reflects on years of photographing Iraq through a deeply human lens, documenting life ...

In Confrontation With The Apparent – Swapan Parekh

India – Emaho caught up with celebrated Indian Photographer Swapan Parekh who is  widely acclaimed for having brought  the documentary ...

Simon Baker : ‘Europe’s No Longer The Home Of Photography’

England – Simon Baker of Tate Modern London is the institute’s first curator of photography and international art and is ...

Video: Emaho Mussoorie Workshop with Cristina de Middel & Ricardo Cases in collaboration with IED Madrid

Organized by EMAHO and IED MADRID Dated: June 19-22nd June,2014 India The recent success of the Spanish photobook has produced much curiosity and ...

EMAHO Picks the Most Interesting Photobooks of 2013

“We at Emaho did not try to present only the ‘Best of Photo-Books of 2013’ but a well researched selection ...

Kentaro Takahashi The Riverbed

Kentaro Takahashi: Reminders Photography Stronghold Grant Announced

Japan –  “The flowing river never stops and yet the water never stays the same.” —Kamo No Chomei, “My Ten-Foot ...

Ricardo Cases: El porqué de las naranjas (Why Oranges)

Spain –  I have seen a river in Paris / next to the grey tower / I have seen an ...

Kosuke Okahara : Vanishing Existence

Japan – I traveled with Kosuke Okahara to visit ex-leprosy colonies located in the far corners of rural China. The ...

Thabiso Sekgala : Second Transition

South Africa –  ‘Second Transition’ is the series of images that I’ve photographed in the areas around the mining town ...

Jannatul Mawa: “Close Distance” – Powerful Portraits of Bangladesh Maids and Their Women Employers

Bangladesh –  Historically, domestic servants worked (only) for food and lodging in better-off homes of predominantly rural eastern Bengal. The ...

Showing Slide 1 of 13