The English Islamophobia and 2041’s Burqa Fetish

A burqa or a burka, also known as a chadaree in Afghanistan or a paranja in Central Asia, is an enveloping outer garment which covers the body and the face that is worn by women in some Islamic traditions. The Arab version of the burqa is called the boshiya, and it is usually black.

England – 

2041’ is an eponymous collection of self-portraits, concealed beneath various forms of burqa or niqab. Using the camera to articulate a passion he has secretly indulged for decades, the artist appears dozens of times without ever disclosing his image or identity.

Long before 2041 bought his first real burqa online, he began crafting his own versions from draped and folded fabrics in a rich array of textures and colours. By photographing himself in these costumes – ranging from the traditional to the theatrical – he adopts multiple personas, but always remains anonymous.


1301_6396724631_o-b

2041’s first memories of the pleasure of being enveloped in swathes of cloth are from his days as a choirboy. As an adult, he developed an interest in more complete coverings, but it was only ten years ago that he first bought a computer and found an online community that shares his passion.

The photographs in 2041 were selected from thousands that he made to share with these fellow enthusiasts. Anonymised by both the internet and the veil, these men and women, Christian, Muslim and without religion, post their pictures and thoughts from locations spanning Western Europe and the Gulf States.

For many, including Muslim men, the practice is driven by what one Christian woman describes as her ‘insatiable desire for extreme modesty.’ What almost all seem to crave is transcendence of the physical self – or at least being judged on the physical – coupled with the excitement of observing the world unseen, safely cocooned in luxuriant fabrics. This is the burqa seen in a celebratory light.

Photography

Related Posts

Jan Brykczynski: “Boiko” – Exploring the Rural Reality of Ukrainian Carpathian Mountains

Poland – Those Boikos are the most mysterious tribe the length and breadth of the Carpathians. No-one else is quite ...

Karen Paulina Biswell: “Against Extraction: Photography, Right to Opacity, and the Refusal to Translate”

In this Emaho Magazine interview, Colombian-French photographer Karen Paulina Biswell reflects on 14 years collaborating with Emberá-Chamí artist Maria Amilbia ...

Gianmarco Maraviglia – Olivia’s Roots

Italy – Olivia has grandparents coming from four different nationalities. Italy, Germany, Egypt and Romania. A child who embodies these ...

Jordi Ruiz Cirera Los Menonos

Jordi Ruiz Cirera: Los Menonos

 Bolivia –  Comprising of images taken between 2010 and 2011 in the Mennonite colonies of Santa Cruz, in Eastern Bolivia, Los Menonos ...

Colin Pantall on Paul Gaffney’s We Make the Path by Walking

Ireland – Paul Gaffney sent me his lovely book, We Make the Path by Walking. It’s a gorgeous book that creates a ...

Jen Juul Gomma Books

Celebrating Black and White Photography with Gomma Books

MONO Trilogy is about celebrating that beautiful and timeless art medium that is black & white photography. It represents an ...

Ayako Mogi: Travelling Tree

Japan – “Travelling Tree” collects photos taken by Photography feature – Ayako Mogi during her peregrinations throughout Europe and Japan ...

Adam Lach: Stigma

Poland –  “STIGMA” tells the story of 60-person family of Romanian Romas living in the encampment in Wroclaw. This is ...

Manik Katyal on Thomas Mailaender “The Night Climbers of Cambridge”

United Kingdom – With an elegant black velvet cover, ‘The Night Climbers of Cambridge’ is an enthralling collaboration between London ...

Showing Slide 1 of 10