Nina Pappa: Timed Gazings

Nina Pappa Born in Athens, Greece. Her work mainly refers to the tracking of time, to the human voice and to handwriting. Usually her work combines documentary features such as interviews, or recordings of people with particular codes of communication and behaviors.

Greece –

Usually, repeated passage through the places that surround our daily life deprives us of conscious contact with them. The gazings presented in this project constitute an effort to record a conscious relationship with the places within which we move, as inhabitants of Athens or just visitors.

The timing of the gazings is a tool by which we can follow the observer’s thought process, since the time he/she spends focusing does not necessarily coincide with the time it takes to read what is written on the photographs. The time is noted in order to indicate the intensity of the observation, which changes according to the point the viewer is looking at and how interested he/she is in it.

The handwriting styles, the drawings and the diagrams reveal a personal way of connecting with the urban landscape. The observations may carry memories; comment on the state of the location; express aversion, affection or apathy; record habits; or be strictly descriptive. As diverse as they may be, most of them refer to central parts of Athens, which most of us have probably gone by.

The images presented do not cover the entire city; these are places that the viewers themselves have chosen, based on their daily activities. This project would not have been possible without the 55 participants who agreed to share their gaze, their thoughts and their time with me.

The process of “Timed Gazings”:

  1. We visit a public space in Athens with the observer.
  2. We take photographs of the place.
  3. With the use of a tape recorder, we record the comments of the observer, while he/she gazes at the space.
  4. Based on the recorded material, we follow the order of the observer’s gazing, noting his/her comments for every spot he/she has focused on, and measuring the time of focus for every different place of interest.
  5. We print and photocopy the photograph of the space.
  6. The observer takes the enlarged picture and the notes of his/hers gazing. With his/her own handwriting, he/she writes on the picture his/her name, the name of the place, or the street, his/her comments and the time spent on each different spot of his/her gazing. The result is a handwritten document-map of his/her gazing.

Art & Culture Written and Photographed by – Nina Pappa 

Related Posts

Sridhar/ Thayil : “We haven’t had our limbs broken. Yet.”

India –  One is a poet enjoying late success as a novelist, the other a jazz singer caught in the …

Roots of the Rhythm – Rita Yahan-Farouz

Israel – Some artists take great risks, challenging political and cultural assertions, while still managing to bring audiences joyfully to …

Chang-Jin Lee: Comfort Women Wanted

South Korea –  This project is based on my trips to Asia since 2008, interviewing the Korean, Chinese, Taiwanese, Indonesian, …

Roy Nachum : The Doors of Perception

Israel – Roy Nachum is a contemporary Israeli artist, based in New York. He works in a variety of mediums namely …

Folk Fantastica – The Turbans

The Turbans is an international musical collective travelling the world on a quest to discover and create great music, starting …

Goldspot : Letters On A Paper Napkin

India – Born of a search for one’s cultural identity, Goldspot is the creative brainchild of Siddhartha Khosla. Tastemaker DJ …

David Thomas Smith : Eye In The Sky

Ireland – Irish photographer David Thomas Smith carves a niche for himself in the world of contemporary artists with his …

Madboy/Mink: ‘I-Mad’ and the Squirrel

India – Madboy/Mink, a duo with Imaad Shah and Saba Azad makes electronic music mashing up old school Funk and …

Dave Cornthwaite: “Say Yes More”

England –  From kayaking to biking, adventure travelers have explored many different ways to get around. But Dave Cornthwaite isn’t …