Search
Close this search box.

Michael Danner: Critical Mass

My artistic works adopt a political and anthropological approach, in which I investigate contested sites and histories. The work takes the form of photographs and moving image, which often include archive material and text and are intertwined into multilayered systems.

 Germany – 

Photographer Photography feature – Michael Danner documents in his body of work Critical Mass the architecture, everyday routine, and security sys- tems of all 17 German nuclear power plants, as well as the ra- dioactive waste repository Asse II and the Gorleben explorato- ry mine. High hopes and deep skepticism have accompanied the use of nuclear power up to the present day. In the euphoric mood that prevailed in the 1950s, everything seemed possible; people took part in an unprecedented economic upswing and found nuclear energy to be a fascinating technology of the fu- ture. But in the 1980s the optimism of the years of boom gave way to a skepticism that was further fueled by the catastrophic nuclear accident in Chernobyl. Anti-nuclear activism has now shaped the political consciousness of a whole generation. And the disaster in Fukushima in 2011 heralded yet a new era in the debate – it seems that a nuclear phase-out in the medium-term is now inevitable. However, the issue of the final disposal of ra- dioactive waste is still unresolved.

DANNER_CRITICAL-MASS_0355

 

Danner’s pictures give us a rare glimpse behind the scenes of the power plants, showing areas that are normally off-limits. His se- ries is accompanied by historical photographs and texts that do- cument the planning and construction phases of the plants and visualize the social tensions. The layout of the book and the cut through the front cover refer to the interaction of the present time and the past and the conflict between nuclear power op- ponents and the authorities.

»Danner’s series of images follows the clear narration of gradu- ally moving from the outside to the inside. We approach the nu- clear power stations from a distance and then are led closer to the buildings, traversing entrance areas fitted with airlocks, stepping into changing rooms and taking detours to offices, canteens, gyms and exercise rooms, medical examination rooms and training rooms, and finally arrive at the control centres. Additional airlocks grant passage into the machine room and, finally, we enter the innermost, arcane area of the reactor itself, the steel ball in which the actual reactor containing the fuel rods is located.«

Susanne Holschbach

Related Posts

Mayumi Hosokura: KAZAN

Japan –        THIS STORY CONTAINS EXPLICIT CONTENT Photographer Mayumi Hosokura is known for her works which depict …

Bombay Dreams – Aparna Jayakumar

India – Emaho caught up with Mumbai-based photographer Aparna Jayakumar who has done some very interesting documentary, editorial and commercial …

Douglas Stockdale on W. Eugene Smith’s The Big Book

USA – W. Eugene Smith’s The Big Book is a very interesting and unusual three volume set that includes a …

Olga Matveeva: “FEUD” – Winner of the Vienna PhotoBook Award

Russia –  (Crimea 12.2013- 03.2014) Photography feature – Olga Matveeva’s Feud is the fraternal war in which the opposition parties …

Yoshikatsu Fujii: Red String

Japan –  I received an sms message. “Today, our divorce was finalized.” Only at that time the message from my …

Kodama- Hajime Kimura

Japan – 12th March, 2008, cloudy “The river in the bottom of the ravine was half frozen. It was a …

Tiane Doan na Champassak: Dick 999

India –    THIS STORY CONTAINS EXPLICIT CONTENT Dick 999 published by RVB Books is a collection of anonymous photographs …

Richland : Gustavo Jononovich

Argentina – On behalf of “progress” we have transformed our environment into the lifeblood of our economy. Everything we manufacture …

Holy Bible – Adam Broomberg and Oliver Chanarin

England –    “Right from the start, almost every appearance he made was catastrophic… Catastrophe is his means of operation, and …