Diego Saldiva: Momentos e Maculas

Diego Saldiva studied Social Communication at ESPM/São Paulo between 2001 and 2005. Between 2009 and 2011 he studied at the School of Photography in Vevey, Switzerland. He was the winner of the Prix Photoforum 2011, Biel (CH), finalist of the 15.

Brazil – Besides being a shelter, the house is as well a home, an emotional and intimate place, a private space, a limited territory. The series Momentos e Máculas (Bad Spots in Our Best Times) departs from a personal investigation about the issues of home and territory. Starting from my own experience, the work focuses on the process of frenetic urbanization that the city where I born and grew up, Guarulhos, Brazil, knows since the last years. This is a continuous and intense transformation as dozens of new buildings are raised every month, causing changes both in the landscape and cohabitation. According to the British Philosopher Roger Scruton, as modern architecture prioritizes function, utility and short-term effects over population, permanence and dwelling, it becomes a kind of “No Home”, a profanation to human residence. Major part of this work is the search and exploration of the evidences. My interest is to explore meanings of territory, not just in the geopolitical sense, but also delve into its psychological and sociological terms, linked to cultural identity and social membership, the way space is structured, organized and planned; how it turns into an Oikos and how we attach to it. The result of the project aims to show spots on a physical space as might be forgetting over memory.

Related Posts

Jon Tonks: Empire

United Kingdom –  Empire is a fascinating journey across the South Atlantic exploring life on four remote islands – the British ...

The PhotoBookMuseum by Schaden Foundation

Germany –    The PhotoBookMuseum (The_PBM) pays tribute to the central form of expression in photography: the photobook. To introduce ...

Olga Matveeva: “FEUD” – Winner of the Vienna PhotoBook Award

Russia –  (Crimea 12.2013- 03.2014) Photography feature – Olga Matveeva’s Feud is the fraternal war in which the opposition parties ...

Olgaç Bozalp: “Returning to Those Memories Finally Helped Me Find My Voice” – The Turkish Photographer on Home, Identity and Belonging

Olgaç Bozalp discusses growing up disconnected in Konya, discovering photography through acting, and rejecting the "hybrid" identity label. He reflects ...

Douglas Stockdale on Hiroshi Watanabe “The Day the Dam Collapses”

Japan –  First I need to declare that I may be a tad bit biased in my photobook review as ...

Awoiska van der Molen: “Sequester” – Photographic Meditation of Volcanic Landscape in Canary Islands

Netherlands – I stay in places, locations far from the outside world. Being in this world -and the long time ...

Wenxin Zhang: FIVE NIGHTS, AQUARIUM

China –  Five Nights, Aquarium is a non-linear narration weaved by photographs and five short written works. I try to ...

Open Books: Post-War Artist Books at Paris Photo 2014

France –  Each one of the books presented here has been created with the urge to formulate a unique artistic ...

Emin Ozmen: Documenting Turkey’s Unfinished History Through Photography

From the trauma of the 1993 Sivas massacre to documenting wars, displacement and political upheaval across Turkey and the Middle ...

Rafael Arocha: “Medianoche” – Confessions of Night Seduction

Spain –  Medianoche refers to a border that confronts us with certain limits. A temporary space in which we can explore ...

JH Engström: “I’m Far From Done Yet” – On Photography, Instinct and the Freedom of Not Knowing

JH Engström’s photography emerges from the tension between places, memories, energies, and uncertainty. Moving between rural Värmland and Paris, he ...

Tommaso Tanini: “H. said he loved us” – An Oppressive Investigation

Italy –  Following three years of travels and investigations in Germany, published by Discipula Editions Photography feature – Tommaso Tanini’s ...