Christer Stromholm: ‘Les Nuits de Place Blanche’ – Celebrating Life of Transsexuals in Paris in 50’s & 60’s

Christer Strömholm, also known by the pseudonym Christer Christian, was a Swedish photographer and educator. He is known for his intimate black and white street photography portrait series, particularly his portraits of transgender women in Paris.

France – 

Christer Strömholm (Stockholm, Sweden, 1918–2001) is one of the most important European photographers of the twentieth century. He spent most of his life in Sweden, but he made France, and especially Paris, his second home. His series about the transsexuals of the Place Blanche was produced between 1958 and 1968. In the first edition of the book Les amies de Place Blanche (Vännerna från Place Blanche), published by ETC/ Johan Ehrenberg in Stockholm in 1983, Strömholm says:

“These are images from another time. A time when de Gaulle was president and France was at war against Algeria. These are images of people whose lives I shared and whom I think I understood.These are images of women –biologically born as men– that we call ‘transsexuals.’As for me, I call them ‘my friends of Place Blanche.’ This friendship started here, in the early 60s, and still continues.”


stromholm_7

                                          Images © Christer Strömholm Estate, Stockholm.


Photography and Published by RM Editorial, Les Nuits de Place Blanche
 immerses the reader in Parisian nightlife of the 50s and 60s, more specifically in the transsexual community in the neighborhood near Pigalle Square. Christer Strömholm, considered the father of Swedish contemporary photography, portrayed the characters in an intimate and exuberant way, either in the street or in the hotel rooms they were living. According to the photographer, this work is about one’s freedom to choose one’s own life and identity. Over the time, those images have become poignant reminders of human frailties and strengths. The series exudes fragility and beauty and symbolizes what working with photography means to Strömholm: the opportunity to deepen into big questions of life, such as love, death and human loneliness.

Related Posts

Open Books: Post-War Artist Books at Paris Photo 2014

France –  Each one of the books presented here has been created with the urge to formulate a unique artistic ...

Jiehao Su: “Borderland” – Reconstructing Personal Memories

China –  Borderland is a project deeply rooted in my personal history. I spent my early twenties living a nomadic ...

Spotlight on the Sexually Violent– Tim Matsui

U.S.A. – Multimedia journalist Tim Matsui calls himself a storyteller. And once you’ve taken a look at his work, you ...

Bernard Faucon: Chambers of Gold, 1987-1989

France – In 1987, I went to Japan for the second time. I came back dizzy with the gold and ...

Hossein Farmani: “Many French organisations think that they own photography”

U.S.A – Hossein Farmani lends himself to the very forefront of the arts community; his passions have led him to ...

The Yellow River – Zhang Kechun

China – The Yellow River Surging Northward Rumblingly Saying that it is a song might have been a popular joke. ...

The Plight of the Pathans – Hossein Fatemi

Afghanistan – Afghanistan used to be a peaceful country, popular with hippies coming from Europe and South East Asia. But ...

Veronica Fieiras: The Disappeared

Spain – Photography will never be able to run away from the memory’s territory and its stigma This is an ...

Adam Lach: Stigma

Poland –  “STIGMA” tells the story of 60-person family of Romanian Romas living in the encampment in Wroclaw. This is ...

Showing Slide 1 of 10