Christer Stromholm: ‘Les Nuits de Place Blanche’ – Celebrating Life of Transsexuals in Paris in 50’s & 60’s

Christer Strömholm, also known by the pseudonym Christer Christian, was a Swedish photographer and educator. He is known for his intimate black and white street photography portrait series, particularly his portraits of transgender women in Paris.

France – 

Christer Strömholm (Stockholm, Sweden, 1918–2001) is one of the most important European photographers of the twentieth century. He spent most of his life in Sweden, but he made France, and especially Paris, his second home. His series about the transsexuals of the Place Blanche was produced between 1958 and 1968. In the first edition of the book Les amies de Place Blanche (Vännerna från Place Blanche), published by ETC/ Johan Ehrenberg in Stockholm in 1983, Strömholm says:

“These are images from another time. A time when de Gaulle was president and France was at war against Algeria. These are images of people whose lives I shared and whom I think I understood.These are images of women –biologically born as men– that we call ‘transsexuals.’As for me, I call them ‘my friends of Place Blanche.’ This friendship started here, in the early 60s, and still continues.”


stromholm_7

                                          Images © Christer Strömholm Estate, Stockholm.


Photography and Published by RM Editorial, Les Nuits de Place Blanche
 immerses the reader in Parisian nightlife of the 50s and 60s, more specifically in the transsexual community in the neighborhood near Pigalle Square. Christer Strömholm, considered the father of Swedish contemporary photography, portrayed the characters in an intimate and exuberant way, either in the street or in the hotel rooms they were living. According to the photographer, this work is about one’s freedom to choose one’s own life and identity. Over the time, those images have become poignant reminders of human frailties and strengths. The series exudes fragility and beauty and symbolizes what working with photography means to Strömholm: the opportunity to deepen into big questions of life, such as love, death and human loneliness.

Related Posts

Football’s Lost Boys – Jason Andrew

Turkey – One evening in the basement of an Internet café in the Sisli neighbourhood of Istanbul, a small group ...

Douglas Stockdale on Laia Abril “The Epilogue”

Laia Abril (b. 1986 Barcelona, Spain, currently resides in NYC and Barcelona) continues to develop narratives that probe identity issues ...

Prasiit Sthapit : Change of Course

Nepal – The first time I arrived in Susta, I had to walk around 3 minutes from the river across ...

Lina Hashim: “Unlawful Meetings” – Photographing Young Muslim Couples Sexual Encounter

Denmark –  Like any of the major religions, Islam seeks to regulate sexual relationships between members of their society through ...

Daisuke Yokata: Site/Cloud

Japan – I see a photo. I took it. Although many decades have not passed since the shoot, I cannot ...

Willeke Duijvekam: MANDY AND EVA

Netherlands – The everyday lives of two gender dysphoric teenagers, pictured by the documentary photographer Willeke Duijvekam. Mandy and Eva ...

Aymen Al-Ameri: Framing Iraq Beyond Conflict

Baghdad photographer Aymen Al-Ameri reframes post-conflict resilience in his Emaho interview. Through poignant portraits and urban aftermaths, he captures Iraqi ...

Colin Pantall on Christoph Bangert “War Porn”

Germany – During the Spanish war with Napoleonic France, Francisco Goya made The Disasters of War. In three series of ...

Veejay Villafranca SIGNOS

Veejay Villafranca: “SIGNOS” – Philippines Everyday Survival

Philippines –  “These are images from 2009 up to present following the displacement of communities brought about by the extreme ...

Showing Slide 1 of 10