Kuwaiti artist Alymamah Rashed opens portals to personal mythologies in her Emaho interview. Seashells whisper rebirth, bodies cradle longing – transforming Dior bags and Piaget jewels into spiritual tapestries. From Kuwait’s bold scene, she merges ancestral gestures with global craft, defying obstacles through intuitive vision.
In this Emaho Magazine interview, Moroccan architect-curator Amine Amharech talks about the intersection of architecture, scenography, and exhibition-making. Rooted in Moroccan modernism yet globally engaged, his practice explores how space can shape cultural narratives, perception, and identity across contemporary art and design.
In this Emaho Magazine interview, Chilean artist Paulina Cerda channels geographic isolation into slow, material processes where fragments and erosion embody unresolved tensions. Rejecting landscape representation, her restrained works sustain fragile pauses—inviting ambiguity, memory, and listening amid Latin America’s conceptually quiet contemporary practices.
In this Emaho Magazine interview, Meng Zhou (RCA MA 2018) traces her journey from China to London, channeling meteorites, shells, and burnt wood into Il Trovatore’s spatial memories and Star Chart’s cosmic mapping. As “Keeper of the Fire,” she probes ecology, myth, and time’s erosions across Dust to Dust and Hero Game.
In this Emaho Magazine interview, Sunday-S Gallery founder Peter Ibsen recounts overhauling his collection after a monochrome work defied interpretation, sparking a focus on minimalism’s perceptual depth. He explores friction-driven curation, domestic displays in Copenhagen/Paris homes, painting’s physical vitality, and loyalty amid speculation.
Tehran curator Takin Aghdashloo, son of Aydin Aghdashloo, discusses growing up amid classical art discipline, curating Event at Cromwell Place via Badiou’s rupture theory amid Women, Life, Freedom protests, Tehran fairs’ resilience, and bridging Iranian creativity to global discourse post-sanctions.
