Olga Matveeva: “FEUD” – Winner of the Vienna PhotoBook Award

Olga Matveeva is a Visual artist, working with the medium of photography, installation, artist`s book and analogue printing processes. Independent curator. Educator. Lives and works in Moscow, Russia ​ ​ SELECTED EXHIBITIONS 2021 - Herbarium, Pennlab gallery, Moscow 2019 - Pro and Cons, Artplay SPb, Saint-Petersburg / Khodinka gallery, Moscow - Reminiscence, Ostavinska gallery, Belgrade Photo Month 2018

Russia – 

(Crimea 12.2013- 03.2014)

Photography feature – Olga Matveeva’s Feud is the fraternal war in which the opposition parties often can’t explain its roots and its prime cause. It is some kind of certain sacral action reproducing itself. Actually it is very difficult to be aside of the situation. There is no chance not to react for information provocations, current news and you can’t avoid looking at falling down of Lenin’s monument, when you are in the center of events. The strategic lie generates aggression, and you inevitably become its partner. The dissonance between common sense and reality is out of any understanding.

25


Feud is a category of intimate space. Close people who share common bed and who have common past, suddenly become real enemies. Everyone prepares his own concealed plan and builds the strategy of envision. Who started this provocation and what is the source of its nature? You are becoming dependent on it, as if it is some kind of a drug. You feel yourself as an animal in a cage, but you can’t jump out. War and hate here look like a passion, just like the filling and identification of yourself using your counterpart.

Related Posts

Rafal Milach: The Winners

Belarus –  ‘The Winners’ published by GOST, is dedicated to winners of various state and local competitions held between 2010-2013 ...

Shahria Sharmin: Call me Heena

Bangladesh –  “I feel like a mermaid. My body tells me that I am a man but my soul tells ...

Ghosts of Genocide : Palash Krishna Mehrotra on Ziyah Gafic

Bosnia : Book Review : Quest For Identity By Palash Krishna Mehrotra By themselves, these are ordinary objects. These are objects that ...

Thana Faroq: “A Photograph Is Never Innocent” – On Migration, Memory and What Images Cannot Hold

In this interview, photographer Thana Faroq discusses her Yemeni roots, unconventional academic path blending politics with photography, and acclaimed book ...

Douglas Stockdale on Carolyn Drake “Wild Pigeon” – Exploring China’s Western Province

China –  ‘Wild Pigeon’ by Carolyn Drake incorporates an allegory story of the same name, Wild Pigeon, written by Nurmuhemmet Yasin ...

Genre Straddler – Christopher Morris

‘Young Chechen, Orphan boy on Ulikemia street (Street of Peace) in downtown Grozny, 1996’ U.S.A. – Christopher Morris is an ...

Andy Rocchelli: “Russian Interiors” – Intimate Portrait of Women in their Private Spaces

Italy –  Andy started to travel to Russia in 2010; there he spent a considerable amount of time working asa ...

Vlad Krasnoshchok & Sergiy Lebedynskyy: “Euromaidan” – Rapidly Changing Ukrainian Chronicles

Ukraine –  “On the 19th of January, 2014 a peaceful protest of Ukrainian Euromaidans on the Hrushevskyi Street in Kiev ...

Pierfrancesco Celada: Hitoride (Literally: By yourself, Alone)

Japan – During a brief visit to Japan in 2009 I was soon fascinated by the isolation and loneliness I ...

Beijing Silvermine -Thomas Sauvin

China – Beijing Silvermine started in May 2009 out of my meeting with a man called Xiaoma, who works in a recycling ...

Tim Richmond: ‘Last Best Hiding Place’ – Exploring the Longstanding Myth of the American West

USA –  Deserted streets with beer cans blowing down the road…a cowboy washing his shirts…a train on its way into ...

Tine Guns: Amoureux Solitaire

Belgium –  Two actors perform one of the most iconographic acts in film history: the kiss. ‘Amoureux Solitaire’ is an ...