Natascha Stellmach : Complete Burning Away (The ashes of Kurt Cobain)

After completing a Bachelor of Applied Science (OT) at Melbourne's La Trobe University in 1991, Natascha Stellmach worked part-time as a therapist in community health and pain management while making and exhibiting short films. From 1997 to 1999 she then went on to study photography at RMIT University in Melbourne. In 2018 she graduated from The University of Melbourne with a Master of Fine Arts (Interdisciplinary Practice) through research into her longstanding project, “The Letting Go”.[1] She lives between Melbourne and Berlin.

 

In 2008 Australian artist Natascha Stellmach installed a joint in a commercial Berlin gallery, containing hash and the alleged ashes of Kurt Cobain. An international call was sent out – via press release – inviting six volunteers to join her in smoking the ashes of the dead rock star, in a private, undocumented ritual, to explore commemoration and attachment.

Stellmach held no interviews and instead her press release to 200 selected journalists ignited a media-hype that spread across 58 countries, creating furor, public outrage and admiration, especially online. Before the term Shitstorm was coined, websites, blogs and chat rooms erupted with the news and threats were sent.

“I hope you die of the worst kind of cancer after watching your entire family die in a car fire” by Eric from Canada, or “It would truly hurt me if you are doing this only for art and not for Kurt” by Sabrina from Germany are two of the hundreds of unsolicited comments sent to the artist.

If the smoking of the ashes was the final act – then Complete Burning Away, Stellmach’s dramatic exhibition is the epilogue. The project boldly interrogates the public ownership of celebrities and critiques the role of the artist, the media and contemporary art in society. More than that, this exhibition is a reflection on suicide and tragedy and the artist’s chosen means to pay her respects.

The site-specific installation at Latrobe University’s Visual Arts Centre, Bendigo includes six of the ten works in the project and takes the form of videos, painted walls and objects.

 

Natascha Stellmach, 2010 Overture, 1-channel split-screen video,Courtesy WAGNER+PARTNER, Berlin

 

VAC | LA TROBE UNIVERSITY BENDIGO, AUSTRALIA

SATURDAY SEPTEMBER 14 – October 20, 2013
2 – 4pm
As part of BIFEM, the opening features an encore performance of Mauricio Carrasco
on electric guitar, performing Fausto Romitelli’s Trash TV Trance.

Related Posts

Korean Street Photographer Chulsu Kim takes over Emaho Instagram Handle

Korea –  “This series was shot with my personal instinct, what i felt and what i saw in Tokyo. I ...

Anthony Friedkin: The Gay Essay

USA – The Fine Arts Museums of San Francisco are pleased to present Anthony Friedkin: The Gay Essay, a photographic series ...

Call For Submissions: Solas Photography Prize 2015

Ireland –  The Solas Photography Prize is collaboration between Source Magazine and the Gallery of Photography Ireland. It is open to all photographers ...

Fotobookfestival: Dummy Award 2014 & Photobook Award 2014

For the past six years, Kassel in Germany has been home to the most important annual forum on the world ...

A personal odyssey: In search of Kalpana Chakma

Bangladesh –  Dhaka, 10 June 2012:  The brilliance of visual documentary combined with meticulous research in the photo-forensic study “In search ...

DWIH Horizon: Art Meets Science

India –  The German House for Research and Innovation (DWIH), New Delhi is organizing a Photo Exhibition titled ‘DWIH Horizon: ...

Ziro Festival of Music

India –  SUBJECT : Sonic Youthʼs Lee Ranaldo and Steve Shelley to headline Ziro Festival of Music on their first-ever Indian ...

Gomma Photography Grant 2014: Final Call

Italy – The Gomma Photography Grant deadline is approaching on October 31st and they want photographers from anywhere, of any background, ...

Martin Parr: “We need bad books in order to understand good books”

  Photobook Bristol, UK was held from 06 June 2014 – 09 June 2014. A renowned mix of established and emerging photographers, collectors and publishers came to theUK in June for a three‐day event to celebrate the rising popularity of the photobook. It was the first time the UK hosted a festival entirely dedicated to photobooks, which took ...