Johann Rousselot: Phallocracia

Johann Rousselot Born in 1971 in Brussels, Belgium – Member of Oeil Public collective agency from 2001 till its closure of in 2010 – Currently represented by Maison de Photographes Signatures in France and Laif/Redux for the rest of the world – He lived in Paris for 20 years then moved and settled down in India (New Delhi) where he’s been residing since 2016.

Johann_Rousselot_PhallocraciaEgypt – 

During the Egyptian january 2011 revolution, women were at the frontline equally with their male angry fellows. The players of this historical moment make mention of a period full of magic, when all differences were ironed out for the sake of a greater cause. Euphoria was short-lived. The old patriarchal rules resurfaced. Women became again a traditionnal and easy target. The video footage of « The girl in the blue bra », beaten up by the police in december 2011, became a mediatic landmark of this disenchantment.

The whole world was shocked by the gang rapes which skyrocketed mostly during 2012 and 2013 protests. The words « sexual terrorism » replaced those of sexual harassment. Today this appalling sexual terror wave has fainted out, but the usual harassment, a cocktail of frustrated pulsions and an extremely phallocratic regime are still ruining Egyptian women’s daily life.

 

PHALLOCRACIACairo, Egypt, May 2014. Phallocracia. Young boys hanging out in downtown streets.

 

One cannot say it is like anywhere in the world. There seems to be an Egyptian syndrome. Feminist organizations have worked for years, and are still working, to combat this phenomenon. They are trying to break out of the complexities of the social taboos that blame women for participating in demonstrations, a process that reaches the extent of blaming women for leaving their houses in the first place. Women are also blamed for what they wear, though according to statistics those dressed modestly or islamically correct undergo as much if not more harassment. Such cliches are legion.

My work to condemn this is a photographic essay, which takes from my usual documentary background and mixes with conceptual thinking and digital collage technique. Starting from the political injustice that reached its climax with the organised gang rapes, I decided to extend it to the sourcing cause, that is a phallocratic ruling regime and general state of mind.

 

Written & Photography by Johann Rousselot

Related Posts

Prasiit Sthapit : Change of Course

Nepal – The first time I arrived in Susta, I had to walk around 3 minutes from the river across ...

Manik Katyal on Ernesto Bazan “ISLA”

Cuba –  With an eclectic body of enriching, honest and deeply committed work, one can only admire the talent that ...

Michelle Loukidis: “Shaping Africa’s Photographic Future: Mentorship, Tombe, and Transient Childhoods”

From capturing childhood's vanishing essence on film to radicalizing her view at Johannesburg's Market Photo Workshop, Michelle Loukidis now shapes ...

Genre Straddler – Christopher Morris

‘Young Chechen, Orphan boy on Ulikemia street (Street of Peace) in downtown Grozny, 1996’ U.S.A. – Christopher Morris is an ...

Marlous Van Der Sloot: Le Corps Vecu

Netherlands – In modern society we often forget that ‘the physical’ is also a source of information. Because of rationalization, ...

Vlad Krasnoshchok & Sergiy Lebedynskyy: “Euromaidan” – Rapidly Changing Ukrainian Chronicles

Ukraine –  “On the 19th of January, 2014 a peaceful protest of Ukrainian Euromaidans on the Hrushevskyi Street in Kiev ...

Asim Rafiqui : Bagram – The Other Guantanamo

Pakistan – They are ghosts, and I have spent nearly two months trying to find any evidence of them. They ...

Patrick Brown: Trading to Extinction

Thailand – From the pristine jungles of Cambodia to the great national parks of India and Nepal, Asian wildlife is ...

Holy Bible – Adam Broomberg and Oliver Chanarin

England –    “Right from the start, almost every appearance he made was catastrophic… Catastrophe is his means of operation, and ...