Search
Close this search box.

Johann Rousselot: Phallocracia

Johann Rousselot Born in 1971 in Brussels, Belgium – Member of Oeil Public collective agency from 2001 till its closure of in 2010 – Currently represented by Maison de Photographes Signatures in France and Laif/Redux for the rest of the world – He lived in Paris for 20 years then moved and settled down in India (New Delhi) where he’s been residing since 2016.

Johann_Rousselot_PhallocraciaEgypt – 

During the Egyptian january 2011 revolution, women were at the frontline equally with their male angry fellows. The players of this historical moment make mention of a period full of magic, when all differences were ironed out for the sake of a greater cause. Euphoria was short-lived. The old patriarchal rules resurfaced. Women became again a traditionnal and easy target. The video footage of « The girl in the blue bra », beaten up by the police in december 2011, became a mediatic landmark of this disenchantment.

The whole world was shocked by the gang rapes which skyrocketed mostly during 2012 and 2013 protests. The words « sexual terrorism » replaced those of sexual harassment. Today this appalling sexual terror wave has fainted out, but the usual harassment, a cocktail of frustrated pulsions and an extremely phallocratic regime are still ruining Egyptian women’s daily life.

 

PHALLOCRACIACairo, Egypt, May 2014. Phallocracia. Young boys hanging out in downtown streets.

 

One cannot say it is like anywhere in the world. There seems to be an Egyptian syndrome. Feminist organizations have worked for years, and are still working, to combat this phenomenon. They are trying to break out of the complexities of the social taboos that blame women for participating in demonstrations, a process that reaches the extent of blaming women for leaving their houses in the first place. Women are also blamed for what they wear, though according to statistics those dressed modestly or islamically correct undergo as much if not more harassment. Such cliches are legion.

My work to condemn this is a photographic essay, which takes from my usual documentary background and mixes with conceptual thinking and digital collage technique. Starting from the political injustice that reached its climax with the organised gang rapes, I decided to extend it to the sourcing cause, that is a phallocratic ruling regime and general state of mind.

 

Written & Photography by Johann Rousselot

Related Posts

Genre Straddler – Christopher Morris

‘Young Chechen, Orphan boy on Ulikemia street (Street of Peace) in downtown Grozny, 1996’ U.S.A. – Christopher Morris is an …

Awoiska van der Molen: “Sequester” – Photographic Meditation of Volcanic Landscape in Canary Islands

Netherlands – I stay in places, locations far from the outside world. Being in this world -and the long time …

Yoshikatsu Fujii: Red String

Japan –  I received an sms message. “Today, our divorce was finalized.” Only at that time the message from my …

EMAHO Picks the Most Interesting Photobooks of 2014

“Just like every year, more and more photobooks were published in 2014. The importance and awareness of making a photobook …

Olga Matveeva: “FEUD” – Winner of the Vienna PhotoBook Award

Russia –  (Crimea 12.2013- 03.2014) Photography feature – Olga Matveeva’s Feud is the fraternal war in which the opposition parties …

Wasma Mansour: ‘I would really like to widen the debate on Saudi women’

Saudi Arabia  – Wasma Mansour shoots intimate scenes and portraits in large format and elucidates the great in the mundane. …

Erik van der Weijde: Home is where the Dog is

Holland –   Photography feature – Erik van der Weijde has produced more then 40 publications. Home is where the Dog is, his latest one, continues his …

Tine Guns: Amoureux Solitaire

Belgium –  Two actors perform one of the most iconographic acts in film history: the kiss. ‘Amoureux Solitaire’ is an …

Mike Brodie: Freight Train Comin’

U.S.A. –  With freight train jumping and hitch-hiking as his method, a camera as his tool and a desire to …