Eamonn Doyle: “i”

Born in Dublin in 1969, Eamonn studied painting and photography at college, graduating in 1991. He spent much of the next two decades producing and publishing music, during which he also founded the Dublin Electronic Arts Festival alongside the record labels D1 Recordings and Dead Elvis. He returned to photography in 2008. His debut photo-book i, 2014, was described by Martin Parr as ‘the best street photo-book in a decade’. This was followed by ON, 2015, and the award-winning End., 2016, which together with i, became known as his Dublin trilogy, culminating in a ground-breaking immersive exhibition at Rencontres d’Arles 2016

Ireland –  

I started photographing in and around Dublin city centre in the late 1980s, but I took something of a hiatus from photography in the late 1990s in order to concentrate on music. Returning to photography in recent years, I set out to work with what I knew. As a long-term resident of Parnell Street in Dublin’s north inner city, there was a wealth of photographic subjects on my doorstep. It’s an old working class area, now quite multicultural. At times it’s edgy and raw and vibrant, while at others, it seems half-sunk in a weary pathos.

This set of photographs came about over a long reflective period in which I was re-reading Beckett. While photographing, I began to strip away as much of the context and background from the subjects as I could. The subjects are all shot at close range, but respectfully, perhaps even reverently. The pictures show only fragments of possible narratives, but for me, every life has weight and drama, even if its meaning is ultimately elusive.”

 

Written and Photography feature by Eamonn Doyle.

Martin Parr nominated “i” by Eamonn Doyle for the Kassel Photobook Award 2014 – Best Books of the Year

Related Posts

Colin Pantall on Paul Gaffney’s We Make the Path by Walking

Ireland – Paul Gaffney sent me his lovely book, We Make the Path by Walking. It’s a gorgeous book that creates a ...

Oscar Monzon: KARMA

Spain –  In Karma, a project developed in Madrid between 2009 and 2013, Óscar Monzón focuses on the car as a ...

Reza Deghati: “Photography Is the Biggest Revolution Ever – A Universal Language of Truth and Hope”

Iranian-French photojournalist Reza Deghati shares his journey from a Tabriz childhood witnessing injustice to 46 years documenting revolutions, wars, and ...

Francesca Seravalle on Paul Kooiker “HE SHE WE”

 Holland – THIS STORY CONTAINS EXPLICIT CONTENT Hidden from indiscreet eyes, in his room, in a heavenly garden or exposed ...

Zhe Chen: The Bearable & Bees

China – The Bearable (2007-2010) is Chen’s confessional photo-documentation of her self-harm history spanning half a decade. Bees (2010-2012) features a collection ...

Helio Leon Purple Room

Helio Leon: “The Purple Room” – Reliving Istanbul Memories

Turkey –                               THIS STORY CONTAINS ...

Rape Of growth : Ole Elfenkämper

Sweden – The Awful State of Albania Dilapidated industrial plants, a lack of sewage plants and high air pollution burden ...

Manik Katyal on Momo Okabe “Bible”

Japan –  “With a crimson red cover, Bible for me is a very dream-like journey of Japanese photographer  Photography feature ...

The Forgotten Cowboys – John Ferguson

U.S.A. – As a ten-year-old boy playing cowboys with friends at school in England, I was never allowed to be ...

Showing Slide 1 of 10