Eamonn Doyle: “i”

Born in Dublin in 1969, Eamonn studied painting and photography at college, graduating in 1991. He spent much of the next two decades producing and publishing music, during which he also founded the Dublin Electronic Arts Festival alongside the record labels D1 Recordings and Dead Elvis. He returned to photography in 2008. His debut photo-book i, 2014, was described by Martin Parr as ‘the best street photo-book in a decade’. This was followed by ON, 2015, and the award-winning End., 2016, which together with i, became known as his Dublin trilogy, culminating in a ground-breaking immersive exhibition at Rencontres d’Arles 2016

Ireland –  

I started photographing in and around Dublin city centre in the late 1980s, but I took something of a hiatus from photography in the late 1990s in order to concentrate on music. Returning to photography in recent years, I set out to work with what I knew. As a long-term resident of Parnell Street in Dublin’s north inner city, there was a wealth of photographic subjects on my doorstep. It’s an old working class area, now quite multicultural. At times it’s edgy and raw and vibrant, while at others, it seems half-sunk in a weary pathos.

This set of photographs came about over a long reflective period in which I was re-reading Beckett. While photographing, I began to strip away as much of the context and background from the subjects as I could. The subjects are all shot at close range, but respectfully, perhaps even reverently. The pictures show only fragments of possible narratives, but for me, every life has weight and drama, even if its meaning is ultimately elusive.”

 

Written and Photography feature by Eamonn Doyle.

Martin Parr nominated “i” by Eamonn Doyle for the Kassel Photobook Award 2014 – Best Books of the Year

Related Posts

Ana Galan: V I V ( R ) E L A V I E – Paying Homage to Old Age Love

Spain –  This project is about love in all its forms. I have always thought that arriving to a certain age, ...

Anna Fox: ‘Resort 2’ – British Adult Parties and a Photographic Carnival

United Kingdom –  For two years British photographer Photography Feature –  Anna Fox documented holiday culture at the iconic Butlin’s ...

Wasma Mansour: ‘I would really like to widen the debate on Saudi women’

Saudi Arabia  – Wasma Mansour shoots intimate scenes and portraits in large format and elucidates the great in the mundane. ...

Tatiana Tcherkezyan: Deep Inside

Russia – THIS STORY CONTAINS EXPLICIT CONTENT For more than 4 years I have been collecting the material for this ...

Thana Faroq: “A Photograph Is Never Innocent” – On Migration, Memory and What Images Cannot Hold

In this interview, photographer Thana Faroq discusses her Yemeni roots, unconventional academic path blending politics with photography, and acclaimed book ...

David van der Leeuw: “I like images that feel unstable, that hold tension, where what is visible is only part of the story”

Dutch photographer David van der Leeuw reflects on his love for unstable, tension-filled images where much is left unsaid. His ...

Mayumi Hosokura: KAZAN

Japan –        THIS STORY CONTAINS EXPLICIT CONTENT Photographer Mayumi Hosokura is known for her works which depict ...

Karen Paulina Biswell: “Against Extraction: Photography, Right to Opacity, and the Refusal to Translate”

In this Emaho Magazine interview, Colombian-French photographer Karen Paulina Biswell reflects on 14 years collaborating with Emberá-Chamí artist Maria Amilbia ...

Matthieu Gafsou: Only God Can Judge Me

Switzerland –  Based out of Lausanne, Switzerland, Photography feature – Matthieu Gafsou spent more than a year immersed in the lives of ...

Showing Slide 1 of 10