Michael Danner: Critical Mass

My artistic works adopt a political and anthropological approach, in which I investigate contested sites and histories. The work takes the form of photographs and moving image, which often include archive material and text and are intertwined into multilayered systems.

 Germany – 

Photographer Photography feature – Michael Danner documents in his body of work Critical Mass the architecture, everyday routine, and security sys- tems of all 17 German nuclear power plants, as well as the ra- dioactive waste repository Asse II and the Gorleben explorato- ry mine. High hopes and deep skepticism have accompanied the use of nuclear power up to the present day. In the euphoric mood that prevailed in the 1950s, everything seemed possible; people took part in an unprecedented economic upswing and found nuclear energy to be a fascinating technology of the fu- ture. But in the 1980s the optimism of the years of boom gave way to a skepticism that was further fueled by the catastrophic nuclear accident in Chernobyl. Anti-nuclear activism has now shaped the political consciousness of a whole generation. And the disaster in Fukushima in 2011 heralded yet a new era in the debate – it seems that a nuclear phase-out in the medium-term is now inevitable. However, the issue of the final disposal of ra- dioactive waste is still unresolved.

DANNER_CRITICAL-MASS_0355

 

Danner’s pictures give us a rare glimpse behind the scenes of the power plants, showing areas that are normally off-limits. His se- ries is accompanied by historical photographs and texts that do- cument the planning and construction phases of the plants and visualize the social tensions. The layout of the book and the cut through the front cover refer to the interaction of the present time and the past and the conflict between nuclear power op- ponents and the authorities.

»Danner’s series of images follows the clear narration of gradu- ally moving from the outside to the inside. We approach the nu- clear power stations from a distance and then are led closer to the buildings, traversing entrance areas fitted with airlocks, stepping into changing rooms and taking detours to offices, canteens, gyms and exercise rooms, medical examination rooms and training rooms, and finally arrive at the control centres. Additional airlocks grant passage into the machine room and, finally, we enter the innermost, arcane area of the reactor itself, the steel ball in which the actual reactor containing the fuel rods is located.«

Susanne Holschbach

Related Posts

Willeke Duijvekam: MANDY AND EVA

Netherlands – The everyday lives of two gender dysphoric teenagers, pictured by the documentary photographer Willeke Duijvekam. Mandy and Eva ...

Hans Gremmen: ‘Peeling off the layers’- Understanding the link between Photobooks and Design

Netherlands –  Hans Gremmen is a talented designer based in Amsterdam known for his innovative work with photo books. Regularly ...

Kate Nolan: Neither

Ireland –  Neither is an exploration into the dreams and fears of young women in Kaliningrad – an isolated Russian region ...

Tomasz Lazar: Theater of Life

Poland – In Ancient Greece people were believed to be only actors, playing roles written by powerful gods. Nowadays, mass ...

Katja Stuke & Oliver Sieber: Nothing To My Name

China –  Music plays an important role in subcultures and protest movements. Music brings people together – both in clubs, ...

Rachel Seed : Reinventing A Mother’s Legacy

U.S.A. – Rachel Seed is a Brooklyn-based photographer and filmmaker who divides her time between multimedia documentary projects and freelance photography ...

Jan Brykczynski: “Boiko” – Exploring the Rural Reality of Ukrainian Carpathian Mountains

Poland – Those Boikos are the most mysterious tribe the length and breadth of the Carpathians. No-one else is quite ...

TiTo Mouraz: Open Space Office

Portugal – The series presented here was shot in Portugal over a 3-year period and represents a transformed landscape that portrays ...

Kodama- Hajime Kimura

Japan – 12th March, 2008, cloudy “The river in the bottom of the ravine was half frozen. It was a ...